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At the Court of Miracles, Gringoire and others fear for Esmeralda’s safety. She and Djali have been missing for several weeks. Only when he encounters Jehan outside a busy court does Gringoire discover more. Jehan, broke again, is annoyed that Frollo is taking so long to charge a woman with murder. Gringoire enters the busy courtroom, still unaware of who is on trial. The landlord gives testimony, describing two men who booked a room and the woman and her devilish goat who arrived a short time later. After seeing a ghostlike figure leap into the river amid a terrible commotion, the landlord entered the room and found a naked young woman and a man with a knife in his neck. Horrified, Gringoire and others in the crowd consider the possible involvement of the phantom monk, a well-known local legend. However, when the accused woman jumps up to defend herself, Gringoire is stunned to see Esmeralda. She is silenced as the next witness is called: Djali the trained goat. As Djali shows off his tricks, the crowd becomes convinced that he is a demon. Gringoire calls out that the goat is merely trained, but the crowd ignores him. When Djali spells out Phoebus with the wooden blocks, the judges decry Esmeralda as a witch, in league with the phantom monk. Esmeralda insists that the monk—no friend of hers—attacked Phoebus. Jacques Charmolue, one of the judges, suggests that she be tortured. She is taken away, and Charmolue follows as she is led to the torture chamber.
In the torture chamber, Pierrat Torterue is waiting. Esmeralda panics at the sight of the terrible torture devices. She is strapped to the bed, and an iron boot is used to crush her foot as she is told to confess. When the pain becomes unbearable, she confesses. Jacques Charmolue ensures that in addition to murder, she is charged with many counts of witchcraft. When told that she will be put to death, Esmeralda seems reconciled to her fate. The torture has broken her mind. She is led back to the court to be legally convicted.
In the courtroom, the impatient crowd watches Esmeralda limp into the room. Her confession is announced, though Jacques Charmolue points angrily at Djali, accusing the goat of mocking his speech and claiming that this is yet more proof of witchcraft. Both Esmeralda and Djali will be hanged in the square before Notre-Dame cathedral. Esmeralda feels trapped in a nightmare.
In Paris, prisoners are held in the complex network of tunnels beneath the city. Esmeralda’s cell is dark and contains only a pile of straw for bedding. Food is delivered through a trapdoor in the ceiling. She cannot keep track of time and struggles to retain her sanity without the things she loves most. After several weeks, a man dressed entirely in black visits her cell. Once she shakes off her apathy, Esmeralda pleads with him to free her. He pulls back his hood, revealing that he is Frollo.
Esmeralda is horrified, recognizing him as the cause of her problems. As she pleads for death or an explanation for his hatred of her, Frollo realizes that he horrifies her. When he tells Esmeralda that he loves her, she recoils in disgust. He recalls the first time he saw her dance, feeling as though the Devil was tempting him. The sight of Djali confirmed his suspicions that Satan sent Esmeralda to tempt a god-fearing man. Nevertheless, he could not stop himself from becoming obsessed with her. After several failed solutions, he decided that executing her for witchcraft was the only remedy. When he recalls overhearing Phoebus on the street, hearing the captain’s name rouses Esmeralda. Frollo is incensed, warning her never to say Phoebus’s name. He blames fate for what has happened to them, claiming that he has suffered even more than she has. As proof, he reveals an open wound on his body: He cut himself while Esmeralda was undergoing torture. He begs her for pity, but she can only repeat Phoebus’s name. If Esmeralda loves Frollo, even for a moment, he believes that he can free her; if not, she will be hanged. As she repeats the name of the man she loves, Frollo emotionlessly tells her that Phoebus is dead. This infuriates Esmeralda. She rejects and curses Frollo, who exits the cell, reiterating that Phoebus is dead.
Paquette mourns the loss of her daughter. In the rathole, she cradles the pink shoe, which is all she has left of her beloved child. In the square, a boy talks of plans to execute the Romany woman the following day. She calls out to a passing priest, beckoning Frollo to her cell. Distractedly, Frollo confirms the news. Paquette is pleased, since she still blames Romany people for stealing her child.
Phoebus survived the attack. His wound was serious, but he has already recovered. He leaves Paris to avoid the scandal associated with Esmeralda. Although he is alive, Esmeralda is still charged with murder because people do not care about the facts. They simply want to see someone executed. Unable to remember exactly what happened, Phoebus convinces himself that Esmeralda used witchcraft on him. After some time away, he misses Fleur-de-Lys and returns to Paris. His absence and his association with Esmeralda upset Fleur-de-Lys, but she accepts Phoebus’s lie that he was injured in a duel. She insists that he watch Esmeralda’s execution with her from the balcony.
A crowd gathers to watch the hanging. Esmeralda and Djali are brought to the scaffold in a cart. Priests recite a Mass for the dead. Frollo, deathly pale, stands among them. Quietly, he reiterates his offer to Esmeralda. She rejects him. Spotting Phoebus on the balcony, Frollo is infuriated once again and calls for Esmeralda to be executed right away. Esmeralda faints as Fleur-de-Lys drags Phoebus inside. Quasimodo watches the scene from the cathedral. When Esmeralda reaches the gallows, he swings down and grabs her. Quasimodo carries Esmeralda into Notre-Dame, calling out “asylum” and invoking the historic laws of protection for those on church grounds. The fickle crowd, shocked but intrigued, changes its allegiance, cheering for Quasimodo, who carries Esmeralda up the tower of Notre-Dame. From the rathole, Paquette watches in confusion.
Even before Quasimodo rescues Esmeralda, Frollo cannot remain in the square. He runs until he is outside the city walls, in a passionate delirium. He fears that Esmeralda has completely destroyed him, revealing a deep passion that the priesthood cannot hide. He starts laughing as his mind fills with evil thoughts. He curses everyone but Esmeralda, though he regrets ordering her execution. Since he trusts in fate, however, he knows that he would do the same again. He flees Paris until, at nightfall, he seizes hold of his nerves and resolves to return. He realizes that rather than fleeing the city, he has been walking along the city walls. Taking a boat, he returns to Notre-Dame. He stumbles through the streets, seeing his brother in a brothel. Beneath the white towers of Notre-Dame, he hallucinates that the building is swaying and rocking. Reaching his office, he tries to read his Bible, but Esmeralda consumes his thoughts. Still believing that she is dead, he seeks out Quasimodo. As he ascends the bell tower, however, he sees Esmeralda and Djali. Believing that they are ghosts, he leaps into the shadows.
The right of sanctuary is important in the Medieval era, since cruel punishments are so common. Those who claim sanctuary on holy ground, however, must remain there until the matter is resolved, so the sanctuary can become a prison. Quasimodo rescues Esmeralda and hides her in the tower. At first, she feels as though she has died and become a ghost. When she comes to her senses, she realizes that Phoebus is not only alive but has rejected her. Esmeralda speaks to Quasimodo, asking why he saved her, but he cannot hear her and scuttles away despondently. When he returns, he indicates that she can leave the room only at night. Esmeralda appreciates his concern but feels increasingly as though she is in a prison, though Djali’s presence helps relieve this sense of imprisonment. She wanders through Notre-Dame during the night, gazing out at the moonlit city.
In the morning, Esmeralda wakes with the sun on her face. Quasimodo appears, frightening her, but tries to assure her that he means no harm. As she beckons him into her room, he indicates that he is deaf. Although his appearance horrifies her, Esmeralda strives to see the goodness in his character. Quasimodo feels her pity. Her beauty, meanwhile, only reminds him of his ugliness. He pledges his service and his life to her, handing her a whistle tuned to a pitch audible only to him. If she needs him, she can blow the whistle. He hurries away before Esmeralda can thank him.
Despite her sense of imprisonment, Esmeralda’s appreciation for life slowly returns. The cathedral’s pealing bells soothe her. She regrets only that she confessed to the crime under torture, allowing Phoebus to think she stabbed him. She again assures herself that he must love her as she loves him. Quasimodo avoids her, aware that his appearance terrifies her even though she tries to be kind. One morning, she sees Phoebus ride by the cathedral. As she cries out, Quasimodo watches Phoebus enter Fleur-de-Lys’s house and laments that he will never be handsome enough to win a beautiful woman’s love. He offers to bring Phoebus to the weeping Esmeralda, and she asks him to do so. He crosses the square and watches as Fleur-de-Lys, up on the balcony, rejects Phoebus’s kiss. When Phoebus leaves the house, Quasimodo tries to drag him to the cathedral. Believing that Quasimodo is a demon or a phantom, Phoebus fights him off and leaves. Quasimodo fails in his mission, and the lovelorn Esmeralda criticizes him. He stops visiting her. At night, Esmeralda hears him singing sad songs. On one occasion, he gifts her flowers: a beautiful but cracked vase holding wilted flowers and a plain clay pot with a flourishing bouquet. Esmeralda appreciates the flowers. She discovers that Quasimodo guards her door each night while she is asleep.
Frollo hears that Quasimodo saved Esmeralda from the gallows. Despondent, he locks himself in his office. From there, he can see Quasimodo and Esmeralda. He convinces himself that they are lovers and becomes furious that she could choose Quasimodo over him. Overcome with jealousy, Frollo dreams of torturing Esmeralda. Finding his key to the bell tower, he seeks out her room.
When Esmeralda wakes, Frollo is standing over her. She screams as he climbs into her bed. As he tries to caress her, begging her to love him, she fights him off. She blows her whistle, and Quasimodo appears, dragging Frollo away with ease. Quasimodo cannot hear Frollo’s demands that he stop. Frollo is certain that Quasimodo (unable to recognize him in the dark) will kill him. When the moonlight illuminates Frollo’s face, however, Quasimodo stops, dropping to his knees in apology. Shocked, Esmeralda grabs a sword and, as Frollo advances on her, reveals that Phoebus is alive. Frollo stumbles away, leaving Esmeralda with the terrible knowledge that he still loves her.
After the attack on Phoebus, Esmeralda is arrested and charged with his murder. Her trial provides a narrative counterpoint to the trial of Quasimodo. Like Quasimodo, Esmeralda is a social outcast. She is considered Romany, so her supposed Romany heritage relegates her to the status of a second-class citizen. Nevertheless, her trial proceeds as a tragic inversion of the dictum that history repeats itself. Quasimodo’s trial was a farce, but Esmeralda’s trial is a tragedy. History repeats, but Frollo’s crimes are attributed to her. She is accused of both witchcraft and murder, though neither allegation is true of her while both are true of Frollo. When Esmeralda refuses to confess, she is led away to a dungeon beneath Paris and subjected to torture. While most punishments in the novel are performed in public, highlighting The Spectacle of Public Punishment, this shameful act is hidden away in a private dungeon, denying the public the spectacle. The pain of torture forces Esmeralda to lie, confessing to Frollo’s crime, and she is declared guilty of crimes that she did not commit. Her trial becomes a blatant demonstration of the justice system’s inefficacy in Medieval French society. For a social outcast like Esmeralda, justice is a fleeting, unattainable idea.
Adding another element of tragedy to Esmeralda’s trial, she is accused of murdering a man who is alive. Phoebus survived the attack and soon returned to Paris. He was more troubled by the boredom of being away from the city than by the possibility of dying, further undermining the murder charge leveled against Esmeralda. Back in Paris, Phoebus returns to his fiancée, Fleur-de-Lys. She resents his absence but allows him to spend time with her. Phoebus does not particularly enjoy her company but enjoys her aristocratic status. He is rewarded with the possibility of resuming a romance, while Esmeralda is threatened with the gallows for a crime that she did not commit. Furthermore, Phoebus later enjoys great success in quelling the riots that occur later in the novel. He has his glory as well as his romance. Once again, his biggest problem is boredom, while others face the possibility of death. At no point does Phoebus come close to suffering, while those around him are unjustly punished. Much like Esmeralda’s sham of a trial, Phoebus’s fate suggests that true justice is not a real concern in this society.
Quasimodo saves Esmeralda by snatching her from the square in front of Notre-Dame and carrying her into the cathedral. Thus, the novel binds together the two victims of the unfair trials. At the same time, he ironically succeeds in snatching her away after the earlier kidnapping attempt (directed by Frollo) led to Quasimodo’s trial. He invokes the right of asylum on Esmeralda’s behalf, carrying her onto sacred ground in the knowledge that she will be granted sanctuary from the authorities. His invocation of this religious right is fundamentally theatrical. Quasimodo carries her up the many stairs inside the cathedral, presenting Esmeralda to the baying crowd below. As is typical of the fickle Parisian crowd, this affront to the rigors of justice puts them back on Quasimodo’s side, even though they have jeered both Esmeralda and Quasimodo in the past. The right of asylum is only temporary, however. Even though asylum is supposedly a religious right, it can be undone by a decree from parliament. The authorities can intervene to seemingly undermine the will of God, suggesting that the claiming of asylum is as much a theatrical performance as everything else.
Nevertheless, this momentary stay of execution is a great triumph. Quasimodo has succeeded in doing something genuinely kind. He saves an innocent woman from an unjust punishment, returns the empathy that she showed him, and (most notably) does this under his own volition. Away from Frollo’s corrupting influence, Quasimodo can act in a morally righteous way, which wins him the Parisian people’s adoration, temporary though it may be. This triumph is broken by a terrible realization, however: Despite the goodness of his act, despite the great deed he has done for Esmeralda, she still cannot look at him. Although Quasimodo saves Esmeralda from injustice, thus demonstrating exactly the character of a man whom (as she told Gringoire) she could love, he does not have Phoebus’s looks, and Esmeralda cannot even look him in the eye to thank him. Her muted rejection adds a painful dimension to Quasimodo’s biggest victory, thematically highlighting Love as a Destructive Force. Meanwhile, Frollo’s attempts to woo Esmeralda fail, and his lustful, obsessive urges disgust him. He justifies them by attributing them to fate, which emphasizes the novel’s thematic concern regarding Obsession and Fate.
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