24 pages • 48 minutes read
Rudyard KiplingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator recognizes the inherent worth of native culture and is open to diverse experiences, though his ultimate loyalty belongs to England. He expresses a pluralist approach to truth, accepting that the native religion has as much value as that of the Church of England. Despite his belief in science and facts, the narrator recognizes that life contains inexplicable and even supernatural elements.
The narrator’s sense of humor reflects his criticism and his acceptance of English culture. He dryly describes the boisterous acts of the New Year’s Eve celebrants yet feels a camaraderie with them as they share stories and express their unity in support of British rule. The narrator’s attempts at humor also work to assuage his own discomfort with Fleete’s disturbing behaviors. He compares Hanuman’s temple leadership to a “Managing Committee” in an English church and characterizes Fleete’s strange manner of eating as a criticism about their less-than “elevating society.” His attempts to bring English humor to a fearsome situation fall flat for Strickland, however; Strickland’s inability to appreciate the narrator’s attempts at levity serve to emphasize the dichotomy between sub-cultures as they exist even in the dominant English culture.
The reader learns little about the narrator’s profession nor his reason for being in India. We know that he writes stories and that Strickland urges him to put this story “before the public” (250), which suggests that he may work at a newspaper or magazine, as Kipling himself did for several years. The narrator feels excluded from the ranks of the other adventurers at the club, commenting that unlike them, some of us “stayed in our chains and strove to make money on insufficient experiences” (242). This remark suggests he feels professionally unfulfilled. The reader can understand that the narrator values friendship as he is kind to the followers of Hanuman and even willing to perceive them as potential friends. As well, his distaste for torture takes a backseat to saving his friend and fellow Englishman from “degradation.”
Strickland has lived in India for a long time. He has accumulated a wealth of knowledge about the Indian people and their customs—perhaps even too great a knowledge, the narrator jokes, perceiving Strickland’s understanding as a “weakness.” Though Strickland empathizes with the Indians, his openness does not diminish Strickland’s loyalty to Britain, however; it is Strickland’s job to utilize his understanding of native culture to “overmatch” the Indian people “with their own weapons” (243). Although many Indian individuals know Strickland, he remains an outsider to them as he represents the colonizer who manages and governs the colonized. He has a take-charge attitude and appreciates friendship, horses, and a good pipe.
Like the narrator, Strickland respects the beliefs of the Indian people. He is “silent and wrathful” (243) at Fleete’s offense, knowing that Fleete’s behavior reflects poorly upon them as Englishmen, damages his own reputation, and puts them in danger. Strickland, like the narrator, believes in logic and facts, but he is more open to the possibility of the supernatural than the narrator. Strickland is initially “baffled” by the priests’ reactions in the temple but uses the physical evidence before him to reach the correct, if seemingly implausible, conclusion. He, unlike Dr. Dumoise, recognizes that Fleete’s transformation “isn’t any doctor’s work” (247). Strickland understands that the scientific advancements of the English do not have the power to restore Fleete to his previous health. Despite his appreciation for the supernatural, Strickland is grounded in the physical, and he turns to it to solve the problem at hand: He goes beyond the parameters of civilized English law and resorts to physical violence—the most basic act of domination—to respond to the threat to Fleete’s humanity.
Fleete, a “big, heavy, genial” (241) man comes to India to finance the land he inherited from his uncle. He is unfamiliar with the country and its people, and he struggles with the language. The narrator calls Fleete “inoffensive,” which is ironic, given the huge offense he commits against the native deity of Hanuman.
Fleete represents the ignorance and violence of the colonizer towards their subjects. He is condescending to the temple priests, patting them drunkenly on the back before desecrating the temple and comparing “good old Hanuman” (241) to a nice pillow. Fleete is comfortable in his position of superiority, and he treats the Indian people and their beliefs with patronizing disrespect. Though he becomes an object of the others’ pity and revulsion, his cavalier attitude returns when his humanity returns. Fleete has no memory of the punishment enacted upon him by the Silver Man, which suggests he has not learned any lesson or reached any greater understanding about native culture. He ruefully advises the others not to mix their liquors, thinking his loss of time and memory is the result of mere drunkenness. He remains a colonizer, but Kipling shows that this position is vulnerable.
Dr. Dumoise is kind, “good little man” (247) who witnesses Fleete’s bestial transformation and can attest to the facts of Fleete’s symptoms. The fact that the narrator uses a diminutive, “little,” to describe Dumoise demonstrates both Dumoise’s small stature and also the limited scope of his philosophy. Dumoise believes that Fleete has contracted hydrophobia and that there is nothing science can do to cure him. The next day, when Dumoise finds Fleete alive and in his right mind, he is “unprofessionally shocked.” The narrator explains that the doctor, however, reached an “incorrect conclusion” in his diagnosis. Nothing in Dumoise’s scientific background can explain Fleete’s medically impossible recovery. Dumoise’s crisis of understanding reflects the theme of disconnect between cultures and represents the dichotomized powers of science and religion.
The Silver Man is a mysterious leprous priest who emerges from behind the desecrated image of Hanuman and bites Fleete on the chest. Strickland, who is familiar with the priests of the temple, has not seen the Silver Man before this incident. The Silver Man is naked, and his white body looks like “frosted silver” (242). His leprosy is advanced, and he has no face. He makes creepy “mewing” sounds like a “she-otter.” He has stubs for hands and feet, but he possesses an incredible strength, which Strickland and the narrator discover when they capture him. The Silver Man is both an object of revulsion and reverence.
By Rudyard Kipling