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46 pages 1 hour read

Edgar Allan Poe

The Narrative of Arthur Gordon Pym of Nantucket

Fiction | Novel | Adult | Published in 1838

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Chapters 9-13Chapter Summaries & Analyses

Chapter 9 Summary

Having lashed themselves to the hull, the four men survive the wave. They attempt to console one another as the storm continues. After the worst of it passes, Pym falls into another stupor, drifting in and out of sleep, memory, and fantasy. When he wakes, he sees that the other three are still alive, although Augustus’s injuries are serious. Facing the prospect of exposure, dehydration, and starvation, they share a momentary regret that they did not die in the storm.

They attempt to pull food or water out of the remains of the ship using an improvised fishing line made of wood and nails. When this proves unsuccessful, Peters dives into the cabin with a rope tied around his waist to look for provisions. However, he cannot stay underwater long enough to find anything. The men, feeling intense despair, pray for salvation.

Chapter 10 Summary

Soon after the failed attempt to get food or water from the cabin, the men see a Dutch ship approaching them from about two miles away. They notice her odd, frenetic manner of sailing and assume the person at the helm has been drinking. They see a sailor standing on deck nodding and smiling at them, and they celebrate this miraculous deliverance. However, once the brig is virtually on top of them, they notice a terrible smell, “utterly suffocating—insufferable, inconceivable” (69). They realize the ship is filled with rotting corpses, including several women. The figure they had assumed was a smiling sailor is actually a corpse propped up on the rigging, and his “smile” is caused by the movements of his skull as a seagull, perched on his back, pecks at him. The seagull flies over the fragments of the Grampus and drops “a clotted and liver-like substance” near the men’s feet. Pym swiftly kicks it into the sea.

Pym notes that he has since tried to find out what happened to this ship but has been unable to get definitive answers. He suspects that the crew died of yellow fever or as a result of accidental poisoning.

Chapter 11 Summary

After the Dutch ship disappears, the men once again attempt to retrieve provisions from the cabin. Peters and Pym take turns diving in, using a chain to help them stay submerged long enough to explore it. Pym finds a bottle of Port wine, which the men share. However, Peters, Park, and Augustus drink more than Pym and experience “a species of delirium” as a result (73). Having found no food, Pym begins chewing on pieces of leather that were removed from a trunk. They pass more days and nights in “the most intense mental and bodily anguish that can possibly be imagined,” becoming increasingly weak and emaciated. Parker hallucinates land in the distance, and Peters and Pym have to restrain him to prevent him from swimming away.

The men eventually see another ship approaching them and again celebrate their salvation. However, the ship turns and sails away from them. Parker suggests that one of them should sacrifice himself so that the others can survive.

Chapter 12 Summary

Pym attempts to dissuade Parker, but Augustus and Peters are both in favor of the plan. They agree to wait until the fog lifts in case a ship suddenly appears, but one never does. They finally draw lots, a process Pym describes in great detail and which he says “will embitter every future moment of [his] life” (79). Parker draws the shortest wood splinter, and Peters stabs him in the back. Over the subsequent four days, the rest of the men consume his body and blood in what Pym calls a “fearful repast” (81).

Several days later, Pym remembers that prior to the storm, he hid an axe in one of the berths. He retrieves it and uses it to cut through the deck over the storeroom, finding some wine, a ham, and several jars of olives. They also find a small tortoise from the Galapagos Islands, a gift for Captain Barnard from the captain of another ship. The men feel somewhat encouraged by this turn of events.

Chapter 13 Summary

The men continue to drift into warmer waters. They endure a small storm and realize they are being followed by sharks. Augustus’s untreated injuries grow worse, and he develops a serious infection. Pym and Peters give him larger rations of food and water, but he soon dies. The rest of their provisions rot in the heat, and the number of sharks following them grows larger. The hull, which had been gradually rolling over, finally turns all the way, throwing the men into the water. Peters saves Pym from the water, pulling him onto the overturned hull. They realize they can eat the barnacles they find there, and some small rainstorms provide them with enough fresh water to stay alive.

They eventually see another ship approaching them but are hesitant to celebrate in case they are again abandoned. But this ship, the Jane Guy, rescues them.

Chapters 9-13 Analysis

This section of the novel contains several of its infamous sequences: the appearance of the so-called “ghost ship”; the cannibalization of Parker; and the death of Augustus. The rapid occurrence of these events marks this portion of the text as particularly Gothic, relying as it does on violence, fear, decay, death, and existential anxiety. However, this part of the novel also emphasizes the close friendships developing among the four men. They actively work to comfort and console one another throughout their tribulations. Although Parker ends up dying to sustain the others, they seem to work collectively while fighting for their survival: Parker lets himself be killed without protest, knowing what will happen to his body after he is no longer alive. Poe, thus, uses this part of the novel to contrast two extremes: the desire to survive and the certainty of death.

Imagination is also emphasized in these chapters, with Pym paying a great deal of attention to his inner life and letting it sustain him during these ordeals. He lets himself believe he is anywhere other than where he is, remembering his life before the Grampus and envisioning possible futures elsewhere, should he survive. When examined alongside the episodes that involve violence, the role of imagination as a literary presence becomes even more important: it actively alters the way the characters experience and interpret the violent acts in which they participate, but it also allows them to survive psychologically. In this way, imagination proves to be a somewhat problematic participant in the narrative by being both complicit in their acts and restorative of their mental health. It offers protection and refuge to characters when they transgress their moral boundaries but simultaneously helps them to reconcile those acts with their moral and ethical identities.

These chapters also include scenes in which details are intentionally left out, but their resonance is heavily suggested. For example, rather than describing the consumption of Parker’s body, Pym says, “I must not dwell upon the fearful repast [ ...] such things may be imagined, but words have no power to impress the mind with the exquisite horror of their reality” (81). The novel hints strongly at what the scene may have looked like but avoids providing a graphic rendering of it. In this way, Poe uses omission to create a multitude of implications.

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