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37 pages 1 hour read

Jean Hanff Korelitz

The Plot

Fiction | Novel | Adult | Published in 2021

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Part 3, Chapters 8-14Chapter Summaries & Analyses

Chapter 8 Summary: “Crib Syndrome”

Three years later, Jake’s new novel Crib is hugely successful. His book tour starts in Seattle bookstores like Barnes & Noble and The Elliot Bay Book Company, but soon expands to bigger events and venues.

Jake gives a lively interview, bantering with a journalist, while internally he feels burnout. In the interview, Jake is terrified when his interviewer questions him about where he gets his ideas. Jake has had many foreboding feelings since writing the novel, despite not using any of Evan’s words—only his plot structure. Jake repeats a made-up anecdote about seeing a mother and daughter arguing in their car while taking out his trash and getting the idea for the book that way.

The twist in his novel startles people: In the story, a mother killing her daughter and steals her identity. This public reaction is part of Jake’s success. His old writer friends have sought him out, asking for favors. In addition to fame, he now also has money. However, Jake remains unhappy because he fears his secret about using Evan’s plot will surface.

Chapter 9 Summary: “Not the Worst”

The next morning, Jake’s schedule includes a radio show before his flight to San Francisco. He meets the station’s director of programming, Anna Williams. Her age is hard to guess (she has fashionably gray hair), but he is attracted to her. Jake considers himself rather inexperienced sexually. He has only been with a few women, including the poet Alice from Ripley College.

The radio show is hosted by Randy Johnson, a terrible right-wing personality who hasn’t read Jake’s book. Randy complains Anna made him do the interview, and they discuss how Jake got a movie deal with Spielberg as director. Anna asks Jake to get coffee after the interview, and he agrees.

Chapter 10 Summary: “Utica”

Anna and Jake go to Storyville coffee, where they mostly talk about Anna. She alludes to a bad home life as a kid and claims her hair went gray from caring for her adopted mom before she passed. She says she’s in her mid-thirties, like Jake. Jake, smitten, dodges her question about where he gets his ideas by copying Stephen King’s answer: Utica, the name of a town in upstate New York. Anna notes this answer differs from the one he gave in the interview the previous night. They kiss goodbye and he heads to his flight.

Once in his car, Jake finds a message through the contact page of his website from someone using the pseudonym “Talented Tom.” Talented Tom calls Jake a thief and includes an excerpt from his novel Crib. The excerpt is about a 15-year-old named Samantha finding out she’s pregnant. She lives in Norwich with her parents, who work in housekeeping at the local college. Because of this connection, the intelligent Samantha hopes to eventually get a scholarship there. However, she wound up pregnant because a guy lied to her, and she does not want the child.

Chapter 11 Summary: “Talented Tom”

Jake keeps the threatening message a secret, and travels to California as planned. After San Francisco, he goes to LA for movie talks. When he returns to New York, there is another threatening message from Talented Tom. Jake reflects that the only other people who have used the contact page of his website were fans, old friends, and fellow writers. Then, wondering why this initial contact is private, he thinks about his other public social media accounts: He has never let his publisher handle them because he fears a commenter could expose his use of Evan’s plot.

The Talented Tom pseudonym alludes both to the real-life Patricia Highsmith novel The Talented Mr. Ripley and to the college where Evan and Jake met. Fittingly for Jake’s novel Crib (and eventually for the novel The Plot itself), The Talented Mr. Ripley is also about a shady character who takes another’s identity. Jake is afraid to answer the messages, so he turns off his phone and router. For the next four days he curls up on his couch eating cupcakes and drinking Jameson while imagining various scenarios with Talented Tom.

When Jake turns his phone and router back on, he sees a new message from Talented Tom, as well as messages from Anna. We learn that Anna is in fact posing as Tom; she is also flirting with Jake as Anna after their coffee date.

Jake gets back to writing his next novel. A month later, in October, new threatening messages from Talented Tom say Tom will go public on Twitter.

Chapter 12 Summary: “I’m Nobody. Who are you?”

Jake researches Evan online, starting with his memorial page. From the notes left there, Jake finds a connection to Ripley College: Evan’s friend Martin was at Ripley when Jake taught there, but Jake doesn’t remember him. Jake stalks Martin’s Facebook and finds a group for Ripley writing workshop alums. In this group, Jake sees posts about Evan’s drug overdose. Jake also learns that Evan’s family has a long history in Vermont and that Evan used to run a tavern.

Anna texts Jake while he is doing this research, annoyed when he takes too long to reply. Jake emails Martin, who immediately calls Jake. They talk about Jake’s book, Evan, and the deaths of Evan’s parents and sister. Martin only saw the same beginning pages of Evan’s story as Jake, and doubts Evan ever wrote the rest of the book. Martin asks Jake to look at some of his writing and offer feedback.

This chapter ends with another excerpt from Crib: Samantha refuses to tell her parents who got her pregnant, though the reader knows it was her mom’s boss, who lied about having a vasectomy. Crib includes flashbacks to his seduction and Samantha’s attraction. Samantha laments that she doesn’t know how to get an abortion.

Chapter 13 Summary: “Hurl Away”

Matilda, Jake’s agent, pushes for him to finish his next book, and tells him that Crib is getting another printing, attesting to its popularity. Anna texts him about visiting New York City—hurling herself at him—and he replies that he wants to see her. Jake has no suspicions that Anna is Talented Tom. He orders some furniture to prepare for her arrival.

Chapter 14 Summary: “Something Out of a Novel”

Anna comes to visit in late November, and Jake is excited to see her. She almost immediately sleeps with him, and they spend two days in bed. Eventually, Anna starts spending her mornings sightseeing alone (or so Jake thinks), and one night they see a play together.

During their last dinner before she goes back to Seattle, Jake asks about Anna past. Anna claims that after her mom committed suicide, an aunt who was bad at parenting raised her until a teacher took her in for a few years. Her sister stayed with their aunt, and they disappeared—Anna doesn’t know where they are. Anna’s teacher died, leaving some money for Anna in her will. Jake buys this story.

They talk about social media; Anna says she only uses it to look for her sister or aunt, just waiting for a message to upend her life. Anna is subtly hinting at the messages she’s been sending Jake as Talented Tom, but he is oblivious, and they go back to talking about his book and writing in general.

The next Crib excerpt is about what happens after Samantha’s Christian parents stop her from getting an abortion. The pregnancy’s health complications cause Samantha to leave school, and her parents won’t let her give up the baby for adoption, but make her keep it as punishment.

Part 3, Chapters 8-14 Analysis

Jake is the perfect mark for Anna because is so self-centered. His attraction to Anna revolves around his constant awareness of his own responses to her. For instance, he “noticed that she wore not a lick of makeup. He liked that. Then he noticed that he liked that” (78). She has an easy time snaring him by keeping their conversations mostly focused on praise of Jake’s writing. This is why Tom’s threats are so insidious—Anna uses them to strike at Jake’s most glaring insecurity, playing a long game by simply accusing Jake of plagiarism—”I know you stole your ‘novel’ and I know who you stole it from” (102)—and public humiliation—”What will Oprah say when she finds out about you? At least James Frey had the decency to steal from himself” (103).

In a continuation of the theme of artistic borrowing and theft, The Plot often references other authors and their works. Talented Tom, Anna’s pseudonym for stalking Jake, is an allusion to the main character of Patricia Highsmith’s novel (and the movie it was adapted into): “the adjective ‘talented’ had been bound in eternal, indelible symbiosis to the name ‘Tom’ [by her], forever augmenting its meaning to include a certain form of self-preservation and extreme lack of regard for others. That particular talented Tom had also happened to be a murderer. And what was his surname? Ripley” (100). Like The Plot and its interpolated novel Crib, Highsmith’s acclaimed novel also revolves around someone stealing the identity of their murder victim. Since Korelitz’s work is deeply concerned with the ethics of using someone else’s ideas in their writing, it makes sense that he makes sure readers know that he is aware that his plot echoes earlier works.

Korelitz also references Stephen King, whose horror fiction often features struggling writers. When asked where he got the idea for his novel’s plot by Anna, Jake gives “the most obvious [answer], the one Stephen King had given” (90). King’s work is a natural comparison to Korelitz’s novel, which also features suspense and violence.

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