89 pages • 2 hours read
Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The next several days are torture. Preparing for the chariot race is no fun. In addition, while Percy likes Tyson, he feels slighted by having the cyclops as a brother. The campers make fun of him. Percy tries to object that Tyson is more like “a half-brother on the monstrous side of the family” (67), but no one believes him, including himself. In the evenings, Percy continues border patrol of camp with some of the other campers, despite Tantalus’s orders to cease patrols. Percy’s sure Luke Castellan, the son of Hermes who betrayed him last summer, is responsible for poisoning Thalia’s tree.
One night, Percy dreams about Grover. Grover projected himself into Percy’s mind and formed an empathy link, which means they can communicate but also that their life forces are linked. If Grover dies, Percy will likely die, too. Grover’s trapped on an island in the Sea of Monsters with the cyclops Polyphemus, who has the Golden Fleece—the only magic powerful enough to restore camp. Polyphemus thinks Grover is a lady cyclops who’s taking time to weave a bridal train, but he’s getting impatient. Percy vows to rescue Grover.
The day of the first chariot race, strange metallic-looking pigeons roost in the trees. Percy tries to tell Annabeth about his dream with Grover, but she hesitates to believe him. During the race, the strange pigeons attack. They’re Stymphalian birds with beaks sharp enough to tear living creatures apart. Annabeth remembers the hero Hercules drove the birds away with terrible noise, and she plays a Dean Martin CD, which sounds like “a bunch of guys moaning in Italian” (83). The music drives the pigeons away, allowing archers to pick them off. With camp in tatters and campers wounded, Tantalus rewards Clarisse for winning the race and then blames Percy and Annabeth for disrupting the event.
As punishment, Tantalus sentences Percy, Annabeth, and Tyson to kitchen duty. While they work, Percy tells Annabeth about his dream again, and Annabeth starts to hope Grover really found the Golden Fleece. To find it and rescue Grover, they have to traverse the Sea of Monsters, which mortals know as the Bermuda Triangle. The quest is beyond dangerous, but the fleece will “revitalize any land where it’s placed” and is the camp’s only hope (87).
That night, Percy and Annabeth present the idea to Tantalus in front of the entire camp to force him into agreeing. He counters the Bermuda Triangle is huge and they wouldn’t know where to look. Percy realizes the numbers the Gray Sisters gave him are coordinates, which he uses to strengthen his argument until the whole camp is behind him. Finally, Tantalus agrees and gives the quest to Clarisse, who accepts.
That night after Tyson falls asleep, Percy sneaks out of their cabin to go sit by the ocean. Hermes (messenger God and Luke’s father) pays him a visit to ask what Percy’s going to do about the quest. Percy doesn’t know, and Hermes offers the idea that things might turn out all right if Percy saves camp, even though he’d be breaking the rules to do so. He gives Percy two gifts: a Thermus containing the winds from the corners of the Earth and a bottle of vitamins Percy should only take when he absolutely needs them. With the parting request to make an effort for his family, Hermes points to a ship floating out in the bay, conjures up three duffle bags, and disappears with the warning that the camp’s harpies are on patrol, leaving Percy alone with “five minutes to make an impossible decision” (106).
Annabeth and Tyson arrive as soon as Hermes is gone. Percy explains everything, and they both agree to go. Percy asks Poseidon for help getting to the ship Hermes pointed out, and three hippocampi (half-horse, half-fish) arrive. The creatures take Percy, Annabeth, and Tyson to the ship, which is named the Princess Andromeda and has a figurehead of a screaming woman. Percy coaxes Tyson away from his hippocampus, which he named Rainbow, and the three board the ship. Despite it being a massive cruise ship, it’s deserted, and Percy senses “something familiar. Something dangerous” that he can’t quite place (114). That night, Percy dreams of Tartarus and Grover, neither of which makes him feel better.
The next morning, Percy and the others wake to a voice announcing the day’s activities and a bunch of other passengers on the ship who all seem to be in a trance. While hiding from two snakelike monsters, they hear Luke’s voice telling someone “they’ll take the bait” (120). Though they want to leave immediately, the three resolve to find out what Luke’s up to first.
Though Tantalus gives the quest for the Fleece to Clarisse, Percy choosing to set off without camp’s approval shows his hero nature. The Fleece isn’t his responsibility and finding it could be dangerous—both the journey itself and the potential consequences upon his return. Despite this, Percy can’t sit back and do nothing while camp deteriorates. As his equal and a demigod hero, Annabeth joins Percy because it’s the right thing to do and because camp was her only home for so long. Tyson, having just been claimed by Poseidon, joins them because he wants to help and wants to go with Percy, his brother.
Hermes’s appearance foreshadows the reappearance of Luke Castellan in Chapter 8. In the previous book, Percy struggled to define his relationship with the gods, Poseidon in particular. In The Sea of Monsters, Percy has come to grips with his father, and attention turns to the other gods. As Luke’s father, Hermes represents the struggle between Luke and Camp Half Blood. Hermes’s failed relationship with Luke also shows how a parent letting down a child can lead to the child rebelling. Hermes is restricted from interacting in demigod affairs by his godly nature. He hasn’t given Luke the approval or love Luke wants from a parent, which is the foundation behind the series’ tension.
The confrontation with the Stymphalian birds in Chapter 6 shows another modernization of Greek mythology. In the stories, Hercules used a rattle to frighten the birds so he could then shoot them down. Here, Annabeth plays loud music to startle the birds and allow the children of Apollo (masterful archers) to kill them. Hercules achieved his victory with minor help from the gods in the form of gifts. By contrast, it takes many campers working together to defeat the birds here. This suggests demigods of history and fame are more powerful than modern-day campers, something that is never confirmed or denied.
By Rick Riordan
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