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43 pages 1 hour read

William P. Young

The Shack

Fiction | Novel | Adult | Published in 2007

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Themes

Making Sense of Suffering

Content Warning: The entry “Making Sense of Suffering” references violence against a child.

The theme that drives the narrative of The Shack is the quest to make sense of suffering. The backstory to Mack’s weekend at the cabin is a story of immense suffering, in which his young, innocent daughter Missy is abducted and brutally murdered. The way in which this happens—while Mack is saving his other children from danger—makes it seem like an especially cruel twist of fate. Reflecting on the terror and pain of Missy’s experience and his own unspeakable grief, Mack is left to wonder if there is any meaning behind it all and how a loving and powerful God could possibly let such a tragedy happen. Mack expresses these doubts throughout most of the narrative, all the way up to his encounter with Sophia (divine wisdom) in Chapter 11, where he angrily reflects on Missy’s death and concludes that God cannot really be a God of love: “I don’t believe that God loves all of his children very well!” (156).

The Shack explores this theme through three main avenues. First, it considers the ways that God’s sovereignty interacts with human choices. God does not plan tragedies to happen but nevertheless can work through them. As Papa explains, “Mack, just because I work incredible good out of unspeakable tragedies doesn’t mean I orchestrate the tragedies” (185). Further, although God could theoretically impose the divine will on anyone and everything, thus stopping humans from committing atrocities like Missy’s murder, The Shack suggests that such an approach would end up precluding the greater goals toward which God’s purposes run. God invites people to a voluntary relationship of love, and for that goal to be possible, God must allow people to make free choices, even if some of their choices tend toward evil instead of good.

Second, The Shack makes sense of suffering by reminding readers that in the traditional Christian conception of reality, there is far more to the story of any tragedy than what humans can now discern. In Mack’s case, his experience at the shack shows him that Missy is free and happy, living in a heavenly existence in Jesus’s presence, and further, that Missy’s own perspective on her death is richer and more complex than Mack assumed. He learns that Jesus and Sarayu were with Missy throughout her abduction, and that far from experiencing only terror and pain, Missy felt the comfort of their presence there. While not diminishing the seriousness or pain of what happened, the promise of eternal life in the love of God resets the context for how people think about tragedy.

Third, The Shack portrays God’s reaction to suffering not as distant, unmoved, or neglectful, but as radically invested in each human’s story. Papa shares in Mack’s sorrow over what happened to Missy and addresses it head-on, making use of that story of suffering to bring healing to Mack’s heart. The strongest reminder of God’s interaction with human suffering comes in the book’s reminders of Jesus’s death on the cross, the scars of which the members of the Trinity bear on their bodies. God is portrayed as caring so much about human suffering as to enter into it, redeeming it from the inside out.

Love and Relationship

The Shack develops the theme of love and relationship as the paradigm of God’s plan for the world. The two elements of this theme exist inextricably together: God’s own being is relational, a constant experience of love given and love received in the circle of the Trinity, and so God’s invitation to the world is to enter into that relationship of love. This invitation to humans pertains to their spiritual relationship with God, but it also forms the pattern of how connections between humans should operate. Papa’s love for each human being—being “especially fond” of all of them—manifests in a gentle invitation to enter into relationship with God. This relationship is made possible by Jesus’s sacrificial death, the ultimate expression of God’s love toward humans.

The Shack also portrays human interactions as being at their best when they are characterized by relationships of love. Papa and the other members of the Trinity frequently point out that there are no hierarchical relationships between them—no institutions of power—and that humans also ought to relate to one another in the mutual submission of relational love rather than through the management of power-wielding roles. This notion reflects the novel’s treatment of human free will and its relationship to sin and suffering; hierarchical relationships are an attempt to impose one’s own will on others and therefore reflect the human tendency to choose painful independence rather than surrender control to either one another or to God. Ultimately, The Shack suggests, such surrender results in much more meaningful freedom and individuality than an attitude of stubborn independence does. Humans necessarily exist in relation to one another (and, in Christian theology, to God), so they can only fulfill their potential within those relations.

The theme of love and relationships informs Mack’s transformation in the novel. As he grows in deeper relationship with the three persons of the Trinity, his understanding of their love grows, and his love for them grows as well. This process of growing in loving relationship with them opens him up to new possibilities of growth in his relationship with others—in particular, by bringing more honesty into his relationship with Nan rather than hiding behind excuses to protect himself from her emotions, and by reconciling with his earthly father in the mystical vision of Chapter 15. As the experience of love-in-relationships deepens, so does the capacity for greater love-in-relationship in every facet of life.

Trinitarian Theology

Trinitarian theology is one of the major themes of The Shack, constituting a focus far beyond just background religious context. The majority of the book centers not so much on a plot sequence as on a string of dialogues that Mack has with each of the members of the Trinity, as well as with all three of them together. The Trinitarian aspect of the characters of Papa, Jesus, and Sarayu impacts every part of the story, and the dialogues from Chapter 5 onward suggest that the Trinitarian nature of God is important for every part of human life.

In traditional Christian doctrine, God is a Trinity: three persons who exist in a union so full that together they are properly said to be one God. The three members of the Trinity, existing in union as God, are God the Father, God the Son (Jesus), and God the Holy Spirit. These are the three characters that Mack encounters at the shack in the form of Papa, Jesus, and Sarayu, respectively. Their union of interweaving relationship serves as the model for the circle of love that all relationships ought to mirror.

The Shack portrays many of the traditional Christian aspects of Trinitarian theology. It shows Papa speaking on topics regarding God’s purpose and plan for the world; it has Jesus serving as the most relatable member of the Trinity, a real human being with historical experience living a human life; and it portrays Sarayu as the gently inspiring and guiding presence of God in humans’ daily experience, fully present but often hard to see. At the same time, The Shack turns many conventional portrayals of Trinitarian theology on their head. For instance, it portrays God the Father in a different gender than is usual in Christian depictions, states that all three members of the Trinity were fully present in Jesus’s experience of suffering and death, and shows the relationship between the members of the Trinity as eschewing any hierarchy of roles between them. The significance of these variances from traditional Christian portrayals are a subject of debate in some Christian circles, but in the literary context of the novel they each serve a plausible role for advancing the story of Mack’s journey of healing. (For more on the theology of the Trinity and The Shack’s relationship to the Christian theological tradition, see the Contextual Analysis section below.)

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