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88 pages 2 hours read

Stephen King

The Shining

Fiction | Novel | Adult | Published in 1977

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Part 4, Chapters 26-32Chapter Summaries & Analyses

Part 4: “Snowbound”

Part 4, Chapter 26 Summary: “Dreamland”

At the same time Danny is in Room 217, Wendy falls asleep while knitting. Jack is also asleep. He has decided that he will write the book. He feels like he owes the book to the hotel; his experience with the hedge animals makes him feel like the Overlook has enchanted him.

Jack remembers how much he loved his father until he was seven years old. Then he realized that his siblings and mother actually hated the man. When he was nine, Jack’s father beat his wife with a cane, which required a hospital visit to the same hospital where his father worked as a nurse. He beat her without warning during dinner, saying “Come on and take your medicine” (224), which is the same phrase the figure in Danny’s premonitions says while swinging the mallet. Jack’s brothers pulled their father off of their mother. At the hospital, their father lied to the doctor, saying she fell. Jack’s brother Brett joined the Army four days later. He died in Dong Ho in 1965 during the Vietnam War. Mike left three years later. Their father died a year after that. For five years, they lived well off the insurance money.

In his sleep, Jack sees Danny right after he broke the boy’s arm. He turns on a CB radio and hears his father’s voice, telling him to kill Wendy and Danny because “a real artist must suffer” (228). Jack smashes the radio and screams at his father to shut up. When he looks up, Wendy is watching. Without the CB, they no longer have a link to the outside world, other than the snowmobile.

Part 4, Chapter 27 Summary: “Catatonic”

While Wendy watches Jack in the cellar, Danny is at the top of the stairs, sucking his thumb, with bruises on his neck. Wendy goes upstairs and finds him. He cries and tells her that he was dreaming about his father and the voice on the CB before slipping into a catatonic state. Wendy screams at Jack not to touch him and takes Danny to her room.

Wendy thinks Jack might have hurt Danny in his sleep or in a trance, in the same way that he smashed the CB radio. But she quickly realizes that Jack’s shock and horror at the bruises were real. She thinks about anything she could use as a weapon in case Jack becomes violent. In the hall downstairs, she hears Jack singing, “Roll me over, in the clover” (235).

Part 4, Chapter 28 Summary: “It Was Her!”

Jack is angry. He knows that Wendy will never forgive him for Danny’s arm. As he fumes and paces, he eventually makes his way to the dining room, where he imagines the masquerade ball in 1945. For a moment, he sees that the Colorado Lounge is now stocked with liquor, but when he turns on the lights, there are no bottles; nevertheless, he can smell beer. Soon he finds himself talking with Lloyd, the bartender, and asks him to make martinis for him. Jack drinks imaginary drinks and imagines that the place is full. He tells Lloyd about the challenges of getting sober and compares the “Wagon” of sobriety to a church and a prison.

 

Suddenly, Lloyd is gone—or he was never there. Jack is unsure. Wendy carries Danny into the Colorado Lounge, where Jack repeats that he did not hurt Danny. Wendy does not want to argue. She only wants to get Danny off the mountain. Danny begins screaming. He sees Jack and screams, “It was her!” (243). Jack looks at Wendy and asks her what she did to him.

Part 4, Chapter 29 Summary: “Kitchen Talk”

Jack gives Danny a glass of milk and cooking sherry to calm him. Wendy feels guilty; she never gave Jack the benefit of the doubt when she saw the bruises on Danny’s throat. Wendy tells Jack that she and Danny talked about him, and about how the Overlook was turning bad for him. She says he talks in his sleep, often yelling “Unmask!” (246) in the middle of the night.

Danny says the dead woman in Room 217 hurt him. He tells them that Tony showed him bad things about the Overlook, and that Halloran has the shining as well. He describes the blood he in the presidential suite, which is where the mafia shooting happened. Then he mentions the moving hedge animals, which startles Jack. Danny says that the intentions of the woman in the bathtub felt like the wasps; like them, she only wanted to hurt him. Jack tells Wendy he is going to Room 217.

Part 4, Chapter 30 Summary: “217 Revisited”

Jack chews Excedrin on the way to the Room 217, which, according to Watson, was where the lawyer’s wife overdosed. When he pulls back the shower curtain, the bathtub is empty. Jack sees a bathmat, which makes no sense; it should be with the linens. He hears a noise as he is leaving. The shower curtain is drawn again.

Now he can see the outline of something in the tub. Rather than looking, he hurries to the hallway, where he sees the fire extinguisher. He believes it was pointed the other way when he arrived to investigate.

Part 4, Chapter 31 Summary: “The Verdict”

In a brief chapter, Jack goes downstairs and tells Wendy and Danny that Room 217 is empty.

Part 4, Chapter 32 Summary: “The Bedroom”

Jack puts a cot in their bedroom for Danny and then reads over his play, which now seems horrible to him. For reasons that are unclear to him, he now hates his protagonist, a character named Gary Benson.

Wendy wants to know how they will get Danny off the mountain, but Jack yells at her for wanting to plan their escape. She thinks something in the hotel wants Danny and suggests using the snowmobile. Their argument turns to passion, and they have sex. Afterwards, they discuss their beliefs about ghosts. Regardless of whether ghosts exist, the marks on Danny’s neck are real. Jack proposes that the bruises could be stigmata, or that Danny hurt himself while in a trance.

After she is asleep, Jack torments himself with thoughts of shame as he imagines going to Sidewinder and abandoning the job. Then his mood changes, and he suddenly has the urge to kill Wendy. Danny twitches and moans in the midst of a nightmare.

Jack wakes in the bathroom of Room 217, where George Hatfield lies in the bathtub with a knife protruding from his chest. Although he is dead, he argues with Jack about the debate team and his dismissal. When George tries to strangle him, Jack runs to the basement. He finds a timer with a cord leading to several sticks of dynamite. George puts his hands around Jack’s neck again. The dynamite transforms into a wasps’ nest, and then into his father’s cane. As he beats George, the cane becomes a roque mallet. George’s face becomes Danny’s face just as Jack hits him between the eyes. When Jack wakes, he is standing over Danny’s cot. He goes downstairs to check the boiler.

Part 4, Chapters 26-32 Analysis

After the woman from Room 217 hurts Danny, Wendy is unsure of what would be more disturbing: a ghost who tried to strangle or son, or the possibility that Danny could have done it to himself. She tells Jack, “You can move away from a stranger. You can’t move away from yourself” (266). She’s talking about Danny, but her words apply to Jack as well. No matter what good things Jack might do for others, he still suffers when confronted with himself.

When Jack hears his father’s voice on the CB, it is a classic example of the hotel’s creative manipulation. The Overlook wants Jack to accept that his father was justified in beating his mother with the cane. If it can convince him to make that leap, then Jack may be able to justify physically abusing his own family. He hears his father’s voice saying, “You have to kill him, Jacky, and her, too. Because a real artist must suffer. Because each man kills the thing he loves. Because they’ll always be conspiring against you, trying to hold you back and drag you down” (228). By framing the struggle as Jack having to choose between his art and his family, the Overlook appeals to his artistic ego, getting him to destroy the CB radio in the process.

Even at this point, Jack is still trying to view his artistic ideals romantically. When he imagines writing the book, he thinks: “He would write it for the reason he felt that all great literature, fiction and nonfiction, was written: truth comes out, in the end it always comes out. He would write it because he felt he had to” (222). This sounds like the justification of a person with a drug or alcohol addiction who wants to continue using, but it also applies to the act of writing. If Jack treats art as an inevitable duty, then he can justify whatever means might be necessary to produce the book.

In Chapter 28, Jack’s conversation with Lloyd is another major turning point. Although the drinks Lloyd serves are imaginary, Lloyd’s appearance—and Jack’s momentary glimpse of shelves stocked with alcohol—is a disturbing development. Whether Lloyd is real or not, Jack is now having conversations with ghosts and expressing his total dissatisfaction with sobriety: “And that's when you realize what the Wagon really is, Lloyd. It's a church with bars on the windows, a church for women and a prison for you” (241). He no longer views sobriety as something that benefits him, or something that he owes his family. Rather, it is an invasive, emasculating church and a miserable prison.

Finally, Chapter 32 shows that Jack was not truthful—or at least, that the timeline in his head is muddled—when he tells Wendy and Danny that Room 217 was empty. In fact, by the time Chapter 32 ends, he has encountered George Hatfield in the bathtub, and George tries to strangle him just like the woman tried to strangle Danny.

The final images are cruel. As Jack beats George with the cane, George’s face suddenly morphs into Danny’s. When Jack wakes, he is standing over Danny. The incident mirrors the moment when he snapped back to his senses after smashing the CB radio out of desperation and panic. If the hotel can steer Jack after placing him in a fugue state, there is less hope than ever that he can remain in control of himself and his temper.

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