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27 pages 54 minutes read

Ernest Hemingway

The Short Happy Life of Francis Macomber

Fiction | Short Story | Adult | Published in 1936

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Literary Devices

Foreshadowing

Foreshadowing is a literary device that provides hints or indications of future events. This story's title foreshadows the death of Francis Macomber, whose life is “short and happy.” Wilson tells Macomber that “in Africa no woman ever misses her lion and no white man ever bolts” (119). Although this is ostensibly a comment about the guide's responsibility to protect his clients' reputations, it also foreshadows that Margot will hit her target when she shoots her husband.

Finally, Margot suggests that Wilson would “kill anything,” contrasting his courage to her husband's timidity; however, this may also foreshadow her testing the guide's limits. His response, “Simply anything,” plants the seed for his complicity in helping Margot present Macomber's death as an accident.

Free Indirect Narration

This story uses an omniscient third-person point of view, meaning the narrator knows and sees all. This perspective provides access to each character's thoughts and motivations and exposes the irony and contradictions of their actions. Hemingway uses a free indirect style to share this content with the reader by repeatedly switching perspectives to reveal characters' thoughts, instead of articulating them via dialogue. For example, Wilson is deferential to his clients, but his thoughts reveal his contempt for them: “[Margot’s] damn cruel but they’re all cruel. [...] I’ve seen enough of their damn terrorism. ‘Have some more eland,’ he said to her politely” (121).

This style even allows the lion's perspective to be communicated. The predator who becomes prey is anthropomorphized, or given human qualities; his “pain, sickness, hatred and all of his remaining strength, was tightening into an absolute concentration for a rush. He could hear the men talking” (129). This perspective adds suspense to the narration and promotes a sense of closeness with the wild and untamed animal.

Implicitation

Implicitation is a literary device that conveys information by suggesting it, rather than stating it directly. This story frequently uses double entendres, expressions with double meanings that are not explicitly articulated but are made clear from context, to avoid directly articulating cruel or insulting thoughts. For example, Margot tells her husband repeatedly that she’s “very sleepy” after she returns to their tent in the middle of the night, indicating that she is exhausted from her sexual escapades with Wilson.

At other times, double meanings expose a character flaw: When Margot says “[Macomber’s] face is never red” (117), she indicates both that he is sheltered and that he has no sense of shame. Finally, after an argument ensues between the men at breakfast, Wilson tells Margot, “Better bring a woolly. It will be cool in the car,” (134). This refers not only to the temperature but also to the tension and coldness that the men will demonstrate toward one another in the car.

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