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65 pages 2 hours read

Fiona Davis

The Spectacular

Fiction | Novel | Adult | Published in 2024

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Background

Cultural Context: Radio City Music Hall’s Rockettes

Just as his character is portrayed in The Spectacular, the historical Russell Markert established the iconic dance style for the Rockettes by blending the dancers’ glamor with the military-like precision of their choreography. Russell served as the Rockettes' chief choreographer from the 1920s through the 1970s, and like his fictional character, he was highly regarded as a considerate, father-like figure for the dancers. The original 1925 group of 16 dancers (now 36) needed to meet certain height and weight requirements while demonstrating proficiency in tap, modern, ballet, and jazz dance styles. The dancers take pride in blending as a group to create the illusion of one effortless collective movement onstage. Often seen as a symbol of American culture abroad, a traveling troupe of performers represented the Rockettes until 2015.

Although the Rockettes are known for their uniformity while performing, the dancers occasionally break ranks to advocate for their own personal, professional, and political beliefs. Active in the 1960s feminist movement, the Rockettes proved successful in their efforts to strike for better working conditions. More recently, several dancers protested performing during President Donald Trump’s inauguration in 2016. Just as the character of Marion proves that women—especially those working in the performing arts—are not to be underestimated, the Rockettes periodically demonstrate leadership in the New York community. For example, the dancers played a critical role in saving Radio City Music Hall from financial closure and demolition in the 1970s. While other forms of entertainment at Radio City evolved over the years, transitioning from movies to live performances, the Rockettes’ uniform performance style remains the same. While the dancers have updated their choreography to follow more modern trends and embrace diversity, their famous kick line and exactitude remain the same, especially during the Christmas Spectacular show.

Historical Context: George Metesky, the “Mad Bomber”

Davis constructs George Martinek’s character and plotline from historical events that occurred in New York City in the 1940s and 1950s that involved George Metesky. Over the course of 16 years, Metesky terrorized Manhattan with 32 homemade bombs that he planted in some of New York’s more densely populated areas. Although no deaths occurred from Metesky’s bombs, several people were severely injured. The historical Metesky’s and the fictitious Martinek’s stories overlap in several instances. Injured on the job with a local power company, Metesky grew mentally unwell after dealing with his injuries. Mental health illnesses were more deeply stigmatized during the 1950s, as is evident from Metesky’s moniker as the “Mad Bomber.” Confined to a mental institution for 17 years upon his arrest, Metesky later returned to his Connecticut home, where he lived until 1994.

Metesky is not the only historical figure that the novel replicates and adapts, for just like Peter, the real-life psychiatrist and criminologist James A. Brussel assisted police in creating a portrait of New York’s “Mad Bomber,” hoping to catch Metesky. This case is the earliest known example of criminal profiling, and Brussel continued to develop this investigative technique with the FBI, ultimately distributing his criminology techniques to police organizations nationwide. Peter’s prediction that the Big Apple Bomber will “be wearing a double-breasted suit. And it will be buttoned” (182) accurately represents Brussel’s detailed profile of Metesky before the bomber’s arrest.

Authorial Context: Fiona Davis

Fiona Davis is known for writing historical fiction novels that occur in New York City. Iconic New York buildings and architecture often create the setting for Davis’s work, and this holds for The Spectacular as well, with its intimate descriptions of Radio City Music Hall and other New York landmarks taking center stage in the narrative. This stylistic choice reflects Davis’s own life experiences, for she originally moved to New York to pursue a career in acting; however, upon her acceptance to Columbia University’s School of Journalism, she switched from acting to writing. Her novels have since appeared on the New York Times Bestseller List in addition to being selected for notable book clubs and literary organizations.

Davis occasionally draws from more intense personal experience to create her characters. In 2022, for example, she publicly disclosed her diagnosis of Parkinson’s disease in an essay published by Good Morning America (Davis, Fiona. “‘Magnolia Palace’ and ‘Lions of Fifth Avenue’ Author Opens Up About Parkinson’s Diagnosis.” ABC News, 27 Jan. 2022). Like Simon and Marion in the novel, Davis initially noticed a rolling tremor in her arm that became more noticeable whenever she was confronted with stressful situations. Within the context of the novel, Marion’s character and her fight to take control of her life’s plan are also inspired by Davis’s personal experience with accepting what cannot be changed while taking control of her response and care plan. After her diagnosis, Davis has reported feeling less confined after relinquishing control of her destiny and focusing instead on cherishing her daily activities.

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