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Fiona DavisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Simon asks Marion to return home and assist with funeral preparations. Marion jumps at the opportunity to return home because she wants to support Simon and be of use. Marion also wants to avenge Judy’s death by seeing the Big Apple Bomber brought to justice. She suppresses this thought while grieving in the immediate aftermath of Judy’s death. On the way to Judy’s funeral, Simon asserts that he failed to keep his family safe and together. He insists that Marion marry Nathaniel and return to Bronxville permanently. In this vulnerable moment, Marion accepts responsibility for Judy’s death. Moreover, Marion believes that she does not deserve to feel joy anymore, so she seriously considers marrying Nathaniel.
Simon returns to work two days after Judy’s funeral. Marion dislikes being left at home alone, and she conveys this to Simon, who encourages Marion to speak with Nathaniel about their wedding. Marion informs Simon that Nathaniel seems happy to give her time to work through her grief. As Simon lectures Marion about being responsible, Marion observes his briefcase and recalls that the bomber carried one that looked similar. Marion reports the details of the bomber’s briefcase to Somers and Ogden. Ogden speaks dismissively to Marion, while Somers takes more interest in her account. Marion also suggests that the police talk with Peter Griggs, recalling his impressive skills in identifying personality traits. Marion believes that Peter could create a profile for the bomber, narrowing the suspect list for the police. Both police officers dislike the idea of working with a psychiatrist.
Back at home, Marion and Mrs. Hornsby reminisce about Judy, and Mrs. Hornsby admits that she is proud of Marion for becoming a Rockette. Mrs. Hornsby believes that Lucille would have wanted Marion to pursue her dream to become a dancer. Years ago, Lucille insisted that Marion take dance lessons in Manhattan, though closer studios would have been more convenient. Nathaniel and Marion grab lunch together and reminisce about stories from high school. Nathaniel tries to talk about their future, but Marion hesitates to think about moving forward in any direction. Nathaniel admits that he wants a big, happy family like his parents and siblings. Marion tries to envision herself in a similar life but cannot see herself being happy. Later, she decides to return to the Rehearsal Club. She informs Simon of her decision before leaving. He tries to convince Marion to stay by reminding her the Big Apple Bomber could strike again at any moment. Marion conveys her lack of confidence in the police and her desire to see that the Big Apple Bomber is caught. Simon and Marion part at an impasse. Marion arrives at the Rehearsal Club, finding Bunny and another Rockette drinking wine in their shared room. Marion joins the conversation, hearing that Bunny plans to end her relationship with Dale. The women toast to their independence.
Marion travels to Creedmoor State Hospital to speak with Peter. Noticing the beautiful garden, she comments positively about the institution. Disgruntled, Peter tells Marion that all his patients are prescribed Thorazine upon arrival, effectively numbing them mentally and physically. The drug keeps the patients docile, but it also prohibits their ability to improve. Peter has been experimenting with profiling his patients. He analyzes their behavior every six months to recognize patterns and make predictions about their safety and tendencies for violence.
Marion realizes that Peter doesn’t know about the bomb at Radio City, and she finds his lack of pity refreshing. She shares her idea that Peter could create a profile of the Big Apple Bomber for the police. Peter doesn’t believe the police will be open to working with a psychiatrist. He reassures Marion that the police will catch the Big Apple Bomber and suggests she focus on her work. Feeling patronized, Marion shouts at Peter, telling him the police aren’t actively looking for anyone; they’re simply hoping to catch the bomber in the act. She recounts how dismissive the police acted toward her even though she is the only one to have actually seen the Big Apple Bomber. She dislikes Peter’s attempt to tell her what to do with her life. Peter agrees to consider Marion’s proposition before ushering her to the exit. Marion returns to Radio City and the Rehearsal Club, where she continues her work. She envies the other performers, who seem “normal,” while she feels entirely out of place. Peter calls. Having done some research, he now knows about Judy. He apologizes for Marion’s loss and offers to help with the investigation.
Mrs. Hornsby’s son, Tommy, works with the NYPD, and he assists Marion and Peter in securing a meeting with Detective Ogden and Captain Somers. Both men, especially Ogden, doubt Peter’s ability to create a criminal profile of the Big Apple Bomber. When Marion appeals to Somers emotionally, he agrees to allow Peter one hour to look through the Big Apple Bomber file.
Peter deduces that the Big Apple Bomber likely has paranoid schizophrenia. He believes that the man lives with his mother or sister, had a troubled relationship with his father in childhood, is a Slavic immigrant, and lives in Connecticut. Peter thinks the man is a perfectionist who disrespects authority and surmises that he likely worked for Met Power and is now becoming increasingly irate and dangerous. Somers and Ogden react condescendingly, not wanting to take advice from someone outside of law enforcement. They tell Peter not to worry about typing up his notes, and Marion realizes that Somers was merely humoring her by allowing Peter to profile the Big Apple Bomber. Peter and Marion leave police headquarters, feeling like they wasted their time. Peter feels embarrassed and admits to experiencing similar dismissal from his colleagues at Creedmoor. He suggests that they leave the investigation to Somers and Ogden.
Marion participates in another three weeks of performances. Looking forward to resting during her week off, Bunny reveals her plans with Dale, whom she still dates even though he remains married. Mr. Leonidoff intercepts Marion before she leaves for the week. He compliments her dancing but states that she stands out too much from the other Rockettes, ruining the illusion that the dancers create by performing in unison. Marion panics, afraid that she might lose her job.
Peter meets Marion outside of Radio City, telling her that another bomb just exploded in the Paramount Theater in Times Square. The incident did not result in injury or death. Somers wants to speak with Peter again, and Peter insists that Marion accompany him. Peter apologizes for acting like a defeatist. Marion and Peter grab dinner together, and Peter shares personal stories from his past. During Peter’s sophomore year at college, Peter’s mother experienced symptoms of a psychotic episode. After being forced into a mental health institution, she died by suicide. At the police station, several police officers take notes while Peter restates his hypothesis about the Big Apple Bomber’s profile. The authorities treat Peter and Marion with respect, asking several follow-up questions. Peter asks why they have changed their attitude, and Somers reports that an usher from the Radio City saw the bomber and recognized him as an Eastern European immigrant. The police ask Marion to look at the sketch created from the usher’s description, and Marion recognizes the same man from Radio City. Marion resents the fact that the police trust an usher’s recollection of the Big Apple Bomber more than her own simply because the usher is male.
Knowing that Simon is nearby in Manhattan for a work event, Marion stops by to surprise him. They exchange warm pleasantries, and Simon expresses how much he misses Marion. Marion notices Simon’s hand occasionally shaking. She reports on her and Peter’s assistance with the Big Apple Bomber case. Simon makes sarcastic remarks, disbelieving that Marion can be of assistance and not liking her connection to such a dangerous man. Marion realizes how scared Simon feels and reassures him that she is safe. She changes the conversation to her work for the Rockettes, which does little to alleviate Simon's distress.
Later that week, Marion receives a threatening letter from the Big Apple Bomber. Marion takes the letter to Peter before going to the police, and Peter notices several inconsistencies between the new letter and the Big Apple Bomber’s previous notes. He doesn’t believe that the real Big Apple Bomber sent Marion a letter. Still, he agrees to accompany Marion to the police station to report the threat. They leave the Salvation Army, where Peter volunteers.
Ogden is the one to examine Marion’s letter, not Somers. Peter quickly asserts that the sender isn’t the Big Apple Bomber, but Ogden isn’t so sure. He takes the letter for further investigation while Marion and Peter wait in the lobby. Ogden emerges shouting in a celebratory fashion that they have caught the Big Apple Bomber because Vincent Hardenby of Westchester County, a former Met Power employee, has a record of stealing items from worksites. Marion and Peter know that Ogden is chasing the wrong man, and they fear that the real Big Apple Bomber will set off another bomb to prove the police wrong.
Peter offers to cook Marion lunch at his apartment nearby. Marion admires Peter’s home and imagines relaxing there after a busy day. Finding a space to unwind is more challenging at the Rehearsal Club, which houses dozens of other women. Marion spots the New York Times crossword; having watched Simon complete the Sunday puzzle for years, Marion has taken up the habit herself after moving away, wanting to stay close to Simon somehow. Peter reveals that he often writes the puzzles for the New York Times, and Marion is in awe of Peter’s intelligence, capability, and desire to do good in the world. They talk about their families. Peter becomes distraught and short with Marion when she asks about his father. Overwhelmed by thinking about lost relatives and distant fathers, Marion begins to cry. Peter rushes to her side, comforting her and acknowledging her feelings in an understanding, meaningful way. He kisses Marion gently, and Marion realizes that she never felt such passion during affectionate moments before. Peter pulls back and apologizes, telling Marion that neither he nor Marion needs the distraction of a romance. Marion thinks about Peter’s kiss for the rest of the day.
As Marion and Peter independently investigate the Big Apple Bomber, the author introduces the theme of The Importance of Civic Responsibility, especially when the efforts of traditional law enforcement fall far short of the mark. In a burst of outrage directed at Peter, Marion criticizes the police’s lackluster efforts to catch the Big Apple Bomber, saying, “I’m a citizen of this city, as you are [...] they should be looking outside the box. I plan on making them do that. There cannot be another death” (169). Marion is committed to participating in the police investigation partly because she cares deeply for the common good of the New York community. Although she desperately wants to see justice served for Judy’s death, Marion is more powerfully motivated by her desire to keep others safe, particularly the Rockettes, and the innate patriarchal condescension of 1950s America is demonstrated when every male character, including Peter, initially underestimates Marion’s ability to be helpful in the case. These characters often point to Marion’s career as a dancer in order to discredit her, underscoring the biases and limitations often placed on women. Nevertheless, Marion perseveres in her desire to do her part for the greater good of the city.
Peter also builds on the central theme of civic responsibility by volunteering to work with the displaced men who are challenged with addiction and mental health issues. Peter explains to Marion, “I’m trying to figure out if there’s a better way to help them besides giving them food and a bed for a night and preaching abstinence” (204). Peter shows tremendous empathy for the mental health patients with whom he works. Even though he faces scrutiny from his colleagues, Peter attempts to treat the person instead of the symptoms, desiring a better quality of life for his patients. Peter’s way of thinking establishes the fact that he is highly intelligent and has achieved an expansive worldview that prioritizes scientific innovation over conventional treatments to achieve the best possible outcomes. Thus, Marion falls in love with Peter not for his physical appearance or his reputation but for his commitment to positively impacting his community.
In direct contrast to Peter’s open support of Marion, Simon attempted to control Lucille’s professional aspirations while she was alive, causing his wife untold emotional distress and turmoil. Marion learns more about Simon’s possessive, limited worldview as the novel’s action progresses, and she comes to recognize that her mother “wanted to act” and “gave it all up to take care of [her family]. Yet she kept all her playbills and scripts in a box in the attic because that time in her life meant something to her” (221). Thus, Lucille’s life path reflects an extreme version of Making Sacrifices for Friends and Family. Although Marion doesn’t know the whole story about Lucille’s decisions, she uses what clues she can to deduce more about her mother’s hidden ambitions and overt lifestyle. Marion also understands what Simon’s control and manipulation feel like and believes that Simon’s insistence that Lucille sacrifice her passions ultimately caused her mother severe emotional strain. Finding out what she can about Lucille’s marriage to Simon gives Marion the perspective she needs to pursue a career in the arts and reconsider her potential marriage to Nathaniel.
In all aspects of her life, Marion develops into a truth seeker. She searches for the identity of the Big Apple Bomber despite the dismissive, belittling attitudes of the police, Simon, and Nathaniel. Marion also faces hard truths about her ability to blend in with the Rockettes. As Judy explains to Marion, “You outshine everyone around you. You can’t help it, you just do. You’re always the star of the show, wherever you go” (125). Marion begins to realize that she struggles to dance in the precise, uniform style for which the Rockettes are known. As a result, she draws attention away from the other performers, ruining the larger effect and frustrating her producers. Marion considers certain required dance moves and realizes that “she had to activate the muscles that countered the position in order to conform, even though it hurt” (126). Marion simply is not built to dance in the style that the Rockettes demand, and she feels physical pain when trying to comply. She struggles to accept this truth because she cherishes her professional dancing position and fears losing her position with the Rockettes.
By Fiona Davis