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66 pages 2 hours read

M. L. Wang

The Sword of Kaigen

Fiction | Novel | Adult | Published in 2019

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Chapters 11-16Chapter Summaries & Analyses

Chapter 11 Summary: “The Patriarch”

Content Warning: This section contains depictions of graphic war-related violence.

Takeru returns from his meeting and tests Mamoru again. This time, Mamoru performs more competently, and although he is still unable to best his father, Takeru is satisfied and dismisses him. Afterward, Misaki asks what Takashi wished to tell Takeru. She learns that Takashi wants Takeru to leave his job at the Takayubi mayor’s office and replace Yukino as the sword master at Kumono Academy. Misaki knows that Yukino is a better teacher and that Takeru enjoys his work with the mayor. She also knows that Takashi only wants Takeru at the school because he is better at the administrative tasks that Takashi despises. However, Takeru does not dare to refuse because Takashi is the head of the family.

In the morning, Takashi announces this news to the rest of the family and drunkenly rants about his lack of opportunities during peacetime. He complains about being stuck behind a desk and compares himself to a sword that has rusted from lack of use. He hopes that Mamoru will be too bright to rust. Later that day, Takeru returns home early, bringing Misaki a letter from her former roommate at Daybreak, who is Ranganese. The letter warns that the Ranganese are preparing to attack Takayubi and urges Misaki to evacuate. Misaki insists that the family leave immediately, but Takeru refuses because he believes it is their duty to stay and defend the empire. Suddenly overcome with 15 years of repressed anger, Misaki declares that she is taking the children whether he likes it or not. He tries to stop her, and she uses the Blood Needle technique to hit his pressure points, momentarily freezing him. Then she uses ice to seal his office door shut.

Misaki rushes to dress her children and to convince Setsuko to leave with her. Mamoru and Chul-hee are in the kitchen studying together, and they watch in confusion. Misaki moves quickly. She knows that she could have killed Takeru but could not make herself do it. At the same moment, Takashi arrives home, and Takeru bursts through the sealed door with a murderous look. Misaki freezes in panic, certain that her husband is about to kill her. Suddenly, a strange noise rises outside. The men look around, confused, but Misaki and Chul-hee both recognize it as the sound of Ranganese fonyakalu attack. Misaki knows that her friend’s letter came too late; the attack has already begun.

Chapter 12 Summary: “The Ranganese”

Everyone runs outside to see an enormous tornado rising from the sea and heading toward the fishing village at the base of the mountain. As they watch, the tornado sweeps across the village, destroying it. Setsuko, whose family lives in the village, screams. Takashi orders the women and children back inside the house. He tells Chul-hee to reach the newly installed info-com towers to call for help and orders Takeru and Mamoru to help him fight.

Misaki tries to keep her son with her, but Mamoru reminds her that this is what he has trained for. Before the men leave, Misaki explains the technique behind the tornado, telling Takeru that multiple people will be controlling it. She also warns Mamoru to pay attention to the color of the Ranganese uniforms. Yellow uniforms are for normal foot soldiers, and black uniforms are for elite fighters. If he sees a black uniform, he should run.

Mamoru follows his father and uncle to the edges of Takayubi. There, they find other men preparing for the attack. Takashi takes command, ordering some men to protect a gate on the other side of the village. Takashi, Takeru, Mamoru, Yukino Dai, and several other men line up to protect the main path to the village. Mamoru realizes that protecting this line requires at least 50 men, and they only have 12. As the tornado approaches, Mamoru shakes with fear, and Yukino encourages him to stay calm. 

The first wave of soldiers arrives with the tornado. The men throw ice spears into the crowd and the wind. Though they kill many soldiers, the tornado does not stop. Takeru recalls that the tornado is controlled from within. He senses the locations of the men behind the wind, tracking the feel of their nyama. Then, he shoots ice spears straight from the ground and up into the center of the tornado, killing the three fonyakalu within. The tornado collapses. He warns that he can sense another wave rushing up the mountain. The men are vastly outnumbered, but Takashi orders them to hold firm.

Chapter 13 Summary: “The Dragon”

The Ranganese attack again. Takashi smiles with excitement, and Takeru is at his back. The brothers fight in perfect harmony, and Yukino fights with calm efficiency. When several soldiers attack Mamoru, he freezes. He is about to be killed when Takashi comes to his rescue, disdainfully telling him to stay out of the way if he cannot fight. Ashamed, Mamoru stands by Yukino. Eventually, they defeat the second wave, leaving a sea of blood and dead bodies at their feet.

However, after a brief pause, a third wave begins. These soldiers wear black, not yellow. Almost feral with excitement, Takashi orders Takeru to prepare their special attack. They combine their powers—Takashi’s brute force and Takeru’s precision—to form an enormous ice dragon that swipes out to kill the first line of elite forces. Even these elite fighters falter with terror at the sight of the god-like dragon, but eventually, one powerful fonyaka destroys the ice dragon. Mamoru calls him the Dragon Killer.

Then, an elite fonyaka attacks Mamoru, and Yukino saves him. Mamoru watches in horror as the soldier kills Yukino, throwing him back against a rock. Enraged, Mamoru attacks and kills him, using skills he learned from his mother. He rushes to Yukino’s side, but his teacher is already dead.

Chapter 14 Summary: “The Sword”

Misaki orders Setsuko to hide in the cellar with the children as she runs to retrieve her sword. Setsuko is shocked to see the black zilazen glass sword. Despite her fear, Misaki smiles and speaks the sword’s name: Siradenyaa, or Shadow’s Daughter. She recalls when Koli gave it to her. She tried to refuse it as too valuable a gift for a woman who was destined to be a housewife, but Koli laughed and told her, “A competent god would never make a housewife with your skill and hunger. You might look like a decorative flower, but you’re more sword than anything else” (285). He argued that fighting is her purpose, just as a blade’s purpose is to cut. Now, Misaki will use her sword to defend her family. Setsuko and Hiroshi want to stay and help, but she does not want them to see her. They hide, and Misaki stands guard just as four Ranganese in yellow burst through the doors.

Out on the mountain, Takashi, Takeru, and Mamoru are the only surviving warriors, but they have fought off the entire wave of elite attackers. Mamoru asks what happened to the Dragon Killer. Takeru could not kill him, but he did hit him with a massive ice attack that threw him down the mountain. Then a villager warns that the Ranganese have breached their defenses and overrun the village. Takashi orders Takeru back to the Matsuda estate to protect Setsuko and the others. He and Mamoru will remain to hold the line. Takeru objects, asking his brother to send Mamoru back instead, but Takashi refuses and orders Takeru to go. Unable to argue, Takeru silently leaves.

Another wave of soldiers attacks. Having lost Yukino, Mamoru finds new strength and resolve. Takashi fights like a beast but eventually staggers, mortally wounded. In the distance, they hear screaming from the numu village. Takashi orders Mamoru to go help the Kotetsus. Mamoru leaves, knowing that he has left his uncle to die.

Chapter 15 Summary: “The Killers”

The Ranganese soldiers pause in the doorway, watching Misaki. She looks like a timid housewife, holding her sword behind her in the shadows. She pretends to be afraid, and the soldiers advance. One man gets too close, and Misaki uses ice claws to grip his throat and tear out his windpipe. It is the first time she has killed someone. She is surprised by how easy it is and how little remorse she feels. The other three soldiers attack, and she fights them all, running through the corridors and using her stealth and small size to her advantage. She defeats them all, though she is wounded. She calls herself a monster, believing that a woman and mother should not be able to kill so easily and feel no guilt. Then two more soldiers wearing black appear.

Meanwhile, Mamoru runs to the numu village, which is burning. He finds Katashi standing by his collapsed house. Katashi says his son Atsushi is caught beneath the building, but the rest of his family is dead. Mamoru promises to rescue Atsushi and urges Katashi to run and hide because he cannot protect them both. As Katashi flees, Mamoru saves Atsushi. In the distance, Mamoru feels a massive tremor and sees an enormous explosion of ice signifying the release of energy from Takashi’s death. It forms a writhing sculpture of icy branches and lifts enemy soldiers into the air. Those who survive this explosion turn and rush toward Mamoru. Mamoru lifts his sword, prepared to kill.

Chapter 16 Summary: “The Soul”

Misaki knows that she cannot defeat the two elite fonyakalu, but she has no choice but to fight. She attacks using every skill and trick she can muster, knocking one fonyaka unconscious. The second attacks her using a special technique called the Soul Pull to suck the air from her lungs, suffocating her. Misaki fights back and finally cuts the soldier’s throat, but even as the soldier dies, Misaki fears that she has lost, and everything goes black.

In the numu village, Mamoru kills five soldiers quickly. Then he sees a man in black approach and recognizes him as the Dragon Killer. He orders Atsushi to run and stands to defend the man’s retreat. He fights, calling upon every ounce of skill and strength he possesses, but the Dragon Killer disarms him. Weaponless, Mamoru continues fighting with ice attacks. Suddenly, the Dragon Killer picks up Mamoru’s own sword and slices through his torso. Mamoru watches the blood pour from his body and realizes that he is dying.

Chapters 11-16 Analysis

In this section, the foreshadowed Ranganese attack wreaks chaos on the family’s existence and brings many underlying conflicts to the fore as Misaki and her loved ones fight for their lives. These chapters showcase the author’s background in martial arts as she crafts intricately detailed and choreographed fight sequences that borrow inspiration from contemporary Japanese culture and popular samurai films. To this end, the Ranganese invaders are portrayed as a faceless, remorseless, and villainous horde, but the author does make it a point to at least partially humanize the invaders, as when Mamoru sees one soldier’s face and realizes that she is a beautiful woman who resembles Hyori, or when Misaki imagines her enemy being someone’s child or mother.

Thus, although the Ranganese are cast as the clear antagonists and the narrative emphasizes the need for the villagers to destroy them, the Ranganese are not alone in their ruthless brutality. For example, Takashi fights with bloody-minded glee, eager for his long-awaited opportunity to wage war against a powerful enemy. However, his zealous anticipation also overrides his good sense and causes him to make reckless decisions in the midst of battle, and he fights with monstrous delight and wild abandon. Similarly, Misaki believes that she is a monster because of her ability to kill efficiently and without guilt. However, Misaki’s own internal monologue reveals her penchant for self-loathing. Given the protagonist’s fierce devotion to her family, Wang therefore implies that her negative perception of herself is inherently unreliable. Misaki spends much of the narrative feeling ashamed of her past and her killer instincts, and she fully expects her family to likewise be ashamed and even disgusted. However, when Mamoru glimpses her true nature, he reacts with awe and gratitude rather than disgust. Setsuko will later respond with similar warmth, further suggesting that Misaki holds a false perception of herself.

The symbolism of swords appears repeatedly in these chapters, from the first real glimpse of Misaki’s weapon, Siradenyaa, to the lingering descriptions of the katanas belonging to Takashi, Takeru, and Yukino. Perhaps most crucially, in Chapter 11, Takashi drunkenly laments his lack of opportunities during peacetime and compares himself and all men of the warrior class to swords “left in a sheath to rust” (215). His tirade serves as a reflection of The Tension between Obedience and Purpose, for he resents the stagnation of his current existence and believes that his only true purpose is to fight. In this light, Takashi’s bloody, heroic death in Chapter 15 is a fitting end, but his death and Mamoru’s occur in the midst of the novel’s rising action, leaving space for the rest of the narrative to call Takashi’s value system into question and offer other possibilities.

In addition to the symbolism of swords, the motif of names also appears here as the narrative highlights the importance of earning one’s name, just as valor in battle allows a fighter to name his or her sword. For instance, Mamoru’s sword does not yet have a name because he and it have not performed a feat worthy of a name. Several characters also discuss the importance of living up to the name that one has been given. The Matsuda name, for example, carries significant weight, and each male of the family line feels the responsibility to uphold the honor and power of that legacy. Moreover, given names have specific meanings that often lend a sense of purpose, as with Mamoru, whose name means “protector”: a role that he dies to fulfill.

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