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56 pages 1 hour read

Kenneth Grahame

The Wind in the Willows

Fiction | Novel | Middle Grade | Published in 1908

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Themes

Wildness Versus Home Life

Much of the story concerns the conflict between the love of one’s home and the urge to leave it to seek adventure. Mole becomes impatient to learn boating so that he can explore the river and its neighborhoods, and he wanders into the Wild Wood, where trouble lurks. Toad can’t wait to drive a car as fast and as far as possible. Even Rat yearns, for a time, to leave his home and become a seafaring animal who explores distant lands. Eventually, all three decide it’s better to fully appreciate the things one already has than to seek distractions.

Tired of living underground, Mole bursts up out of the earth and explores the world above his home. Delighted and fascinated by this new realm, he becomes impatient while boating with Rat, grabs the oars, and, with no training, tries to steer the boat by himself. The craft capsizes, and Mole must apologize to his new friend for such boorish behavior.

Mole later realizes that his own home, which he neglects in favor of living with Rat, still retains its allure, and he comes to recognize it as a refuge where he can rest and recover from his riverside adventures. He sees the value of “this place which was all his own,” a place that “could always be counted upon for the same simple welcome” (58).

Still, Mole’s youthful exuberance drives him toward the Wild Wood, where he hopes to find Badger’s house and get to know him. At first, he’s chased by wicked weasels; then Rat finds him, and they wander, lost, until they stumble onto Badger’s place and receive shelter there. Mole gets to know and like Badger, but his frightening experience in the Wild Wood severely dampens his wanderlust. He finds that he has more than enough to entertain him right in his own neighborhood.

Toad’s infatuations come and go as he searches for new sensations. He tires of sculling on the river and shifts to caravan travel, but this, too, becomes hateful when Toad discovers automobiles. Cars thrill him with their sheer speed, and, though he’s an incompetent driver, he persists in buying and wrecking car after car. Unable to contain himself, Toad impulsively steals a car and gets sent to prison. He escapes and, in a huge coincidence, steals the same car again. These hijinks put Toad into even more trouble with the authorities.

Meanwhile, his long absence from his ancestral home, Toad Hall, invites squatters, who take it over. Toad’s friends help him retake the Hall; in the process, he realizes that he doesn’t need to show off to have good company.

Another character who strays from home seeking adventure is Otter’s young son, Portly, who wanders off to explore and disappears. When Rat and Mole travel upriver in search of the toddler, the demigod Pan’s unearthly, beautiful pipe music leads them to Portly, sleeping safely in Pan’s lap. Pan’s magic spell makes them forget the experience: He knows that once they’ve glimpsed the wondrous gods, they’ll never again be satisfied with their lives on the river, and this will destroy their happiness. Instead, he leaves them with only a cloudy sense of something wonderful, and they return to their regular and still-satisfying home lives.

Rat loves the river and expresses no interest in anything else until, one fall, the birds and mice begin to migrate away, and Rat, lonely, wonders what’s beyond the next horizon. Adding to his wanderlust, a visiting sea rat romanticizes travel and convinces Rat that it’s the only way to satisfy the itch for adventure. Rat nearly leaves his house to go to sea, but Mole stops him in time and shakes him back to his senses. Rat remembers, once again, that he already has a marvelous, endlessly pleasing river realm to keep him entertained. In addition, the birds and mice are sure to return in the spring and resume their friendships with him.

The main lesson these animals learn is that there’s no place like home—that the search for excitement often costs more than it’s worth. Instead, they explore and enjoy the wonders of their own neighborhood: While some might think it’s too simple and uninteresting, Mole, Toad, and Rat learn at last to appreciate their own world of wonder.

Egotism Versus Friendship

The story presents two basic ways of having friends: the showy charm of Toad or the warm helpfulness of Rat, Mole, and Otter. Although Toad’s approach gets him into lots of harrowing adventures, in the end his friends have the best approach. Together, they share their finest adventure when they defeat the weasels and retake Toad Hall.

Toad thinks he can get respect and win friends only by boasting as often as possible. He continually writes self-congratulatory ditties and proudly elaborates about his grand (though morally questionable) exploits to others. Usually, these stories hugely overstate his achievements. Most of his escapes involve a large portion of luck, and many of his experiences are driven more by his own incompetence than by any planning or skill. Still, Toad holds fast to the idea that he’s a tremendous example of a brave and brilliant adventurer.

Meanwhile, Toads friends Mole, Rat, and Badger—along with their occasional companion Otter—enjoy adventures of a quieter sort. They take pains to be good to one another; they’re relentlessly polite, are always cheerful, and help each other whenever they can. They work well in teams of two and three, and their voyages up- and downriver provide them with plenty of adventure, discovery, and wonder. Assisting them is Badger, who’s gruff but fair and generous. His traits of leadership and good sense help round out the group’s strengths.

Toad can be charming but is too involved in his own self-importance to be considerate of others, including his long-suffering friends. Instead, he searches for anything that makes him feel heroically superior, and he finds it in the lure of fast cars: “O what a flowery track lies spread before me, henceforth! What dust-clouds shall spring up behind me as I speed on my reckless way! What carts I shall fling carelessly into the ditch in the wake of my magnificent onset!” (24).

When Toad joins his friends in their quest to retake Toad Hall on his behalf, thinking he’s an expert in such activities, he nearly ruins their plans. Realizing that he’s about to make embarrassing mistakes, however, he holds himself in check. During the raid against the weasels, Toad behaves bravely in concert with his friends; afterward, he listens to them and resists the temptation to turn their victory banquet into crass self-promotion.

Toad learns from Mole, Rat, and Badger that good friends and the accolades of neighbors come not from boasting but from teamwork, courage, and a touch of humility. It’s a lesson, too, for young people who enjoy the story, as well as a word to the wisest grown-up readers.

The Joys of Nature

The book moves back and forth between the comical and hair-raising adventures of the foolishly egotistical Mr. Toad and the serene beauty of the riverside world of Rat, Mole, and Otter. Whereas Toad races up and down country and city roads for thrills, the others ply their boat up- and downriver as they enjoy the intense loveliness of water, trees, and flowers, along with the chuckle of the waves and the whisper of breezes in the reeds.

Like Rat, Mole loves the river and takes to it as if he were a water animal and not an underground dweller. Aboard Rat’s little boat, he finds his own adventure within a kind of paradise: “Absorbed in the new life he was entering upon, intoxicated with the sparkle, the ripple, the scents and the sounds and the sunlight, he trailed a paw in the water and dreamed long waking dreams” (10).

As Mole and Rat search the nighttime river for Otter’s lost young son, Rat hears pipes sounding somewhere along the water; Mole at first says, “I hear nothing myself […] but the wind playing in the reeds and rushes and osiers” (72). They enter a backwater and discover a mystical, almost holy realm. An island of amazing beauty appears before them; they land on it and discover, “fringed close with willow and silver birch and alder” (73), an Edenic garden presided over by the demigod Pan, who guards Otter’s sleeping son.

In its own serene way, this ecstatic moment is an adventure every bit as wonderful, or even more so, than Toad’s frenetic, high-speed automotive thrill rides. Beyond this very special occurrence, the story repeatedly points out the eternal beauty of the river and its environs. Just look and listen, the book seems to say, and dreams of paradise will become real. The world of Mole, Rat, and Badger is a kind of heaven on Earth, and they discover for themselves how to slow down enough to notice it.

These natural wonders aren’t exotic and far off, things to be yearned for, but signs of home itself. The author thereby amplifies his contention that happiness, satisfaction, and even adventure already await nearby, ready for anyone to simply experience and enjoy. What Mole and Rat and even Toad desire lies before them in their own backyards—but only if they’re willing to listen to the wind sighing softly among the willows.

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