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Annie DillardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The sand bucket and shovel are a recurring motif in the text. As Dillard processes the eclipse, she again refers to these tools after a college student’s assertion that the eclipse looked like a “Life Saver”: “The mind—the culture—has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world’s work. With these we try to save our very lives” (23). These tools—used literally by children to create sandcastles—thus figuratively represent the creativity and power of language and the ways humans strive to build meaning. Notably, Dillard suggests that people build meaning for one another: “What is significance? It is significance for people. No people, no significance” (20). As she considers the urgency of participating in life due to its fleeting nature, she refers to these tools again, this time in relation to a group of men in the hotel lobby who, she presumes, were not among those in the hills viewing the eclipse:
You might wake up dead in a small hotel […] watching TV while […] the moon passes over the sun and nothing changes and nothing is learned because you have lost your bucket and shovel and no longer care (26).
Here, Dillard suggests that passive engagement in life leads to stagnation and inertia, as well as an inability to create meaning and significance. In this way, this motif supports the theme of The Transformative Power of Nature, as well as The Transience of Human Existence.
In Dillard’s essay, the solar eclipse is an agent of change that symbolizes transformation. The eclipse’s rarity and totality signify the vastness of the universe, inspiring epiphany and reflection about the meaning of life—and in turn triggering the introspective, existential contemplation that led to this essay. The eclipse also embodies The Transformative Power of Nature: It disrupts the routine progression of time and reality, transforming a sunny day into an “eerie” darkness and causing a sense of disorientation within the natural order. This abrupt shift forces both Dillard and her reader to confront the cyclical nature and unpredictability of life; it also illustrates how a single moment of clarity can forever change one’s perspective.
Although it elicits emotional, revelatory reactions from observers like Dillard, the eclipse itself is stoic and dispassionate, evoking the age-old tension between the universe’s indifference toward humanity and humanity’s need to imbue the universe with meaning. Further, its ephemeral nature echoes the fleeting moments of clarity, beauty, and comprehension in life. In essence, the eclipse challenges, reveals, and transforms, guiding Dillard on her journey of introspection and cosmic reflection.
Dillard’s emphasis on landscape, specifically the way it changes, contributes to the essay’s theme of journeying into unfamiliar territory. During the couple’s road trip to the hotel, Dillard highlights the transition from their coastal home to Yakima Valley, which is rural and uncharted territory to the travelers. The avalanche in the Cascade Mountains, which blocks the only pass, is both a common obstacle and a passage to the unknown, as evidenced in the essay’s ominous opening line. The travel from coast to countryside, and then back to the coast, also parallels the transition of the eclipse and the landscape movement. These changes of the landscape during the travel and the momentary changes caused by the eclipse, then, function as a motif in the essay.
The sensation is repeated in the way the eclipse creates unexpected and unfamiliar visual changes to an already unfamiliar landscape. Furthermore, the alterations of the landscape during the eclipse are accentuated, ranging from the unusual behavior of animals to the chilly decline in temperature, rendering the natural world unfamiliar and eerie. This altered landscape exemplifies the couple’s reaction to the uncharted locale and their realization that, despite being unfamiliar, it was familiar to them, in contrast to the unfamiliarity of the eclipse’s gloomy world they briefly witnessed.
The interplay between shadow and light serves as a recurring motif to highlight the theme of contrast within the essay. The eclipse is the most significant and apparent manifestation of the shadow and light motif, which focuses on the imminent darkness of the eclipse and subsequent resurgence of light. This motif represents Dillard’s contemplation of the dualities inherent in human existence, such as the juxtaposition of clarity with uncertainty, the known contrasted with the unknown, reality and imagination, and life versus death. Shadow and light are depicted both literally, as in the description of the landscape and the eclipse, and metaphorically, in the juxtaposition of the ominous mood during the eclipse with the enlightenment the author attains afterward. Dillard’s “darker” emotions, such as her feelings of insignificance in the vastness of the universe and the impermanence of life, contrast with moments of “light” when the eclipse is over.
By Annie Dillard