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77 pages 2 hours read

Rebecca Roanhorse

Trail of Lightning

Fiction | Novel | YA | Published in 2018

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Themes

Trust and Betrayal in Relationships

Maggie’s ability to trust in relationships, which is interfered with at various points in the novel by the betrayals of others, is a major theme in Trail of Lightning. Throughout the novel, Maggie’s relationships with both Neizghání and Kai affect her ability to trust in others and herself, although one relationship is far more toxic than the other. The rise and fall of Maggie’s relationship with Neizghání serves as the backdrop of the beginning of the novel. When Maggie first met Neizghání, she was a 16-year-old girl, traumatized after witnessing the murder of her grandmother and after killing her grandmother’s killers. Neizghání, an immortal and winged man, found Maggie in the aftermath and promised to take care of her. He served as Maggie’s teacher, showing her how to harness her clan powers and use them for monster hunting. At this point, Maggie idolized the man and came to love him. She eventually admits this to Kai, saying, “I loved him” (253). However, Neizghání dislikes the very skill in killing that he fosters in Maggie, and he eventually abandons her. This abandonment represents an enormous betrayal to Maggie, who trusted her mentor to guide her, especially after she lost her only family. As a result, at the beginning of the novel, Maggie lives alone and isolated, unable to trust others.

This inability to trust others interferes with Maggie’s developing relationship with Kai. Initially, Maggie struggles to accept Kai as a new partner, even a platonic one. At many points Kai creates an opportunity for Maggie to trust him, only to be pushed away. For example, at one point, Maggie dreams that Kai calls her a monster. This dream digs deep into Maggie’s insecurities, which Neizghání’s abandonment perpetuated, and Maggie lashes out violently at Kai. Even after Maggie apologizes and Kai opens up emotionally to her, Maggie’s inability to trust runs so deep that she cannot open up herself. She thinks, “I know he’s trying to make up for last night, share something about himself that’s close to the bone to rebuild some trust, and I appreciate that. But I don’t intend to return the gesture” (129). By the end of the novel, however, Maggie and Kai have built such a strong bond that even Neizghání’s revelation that Kai initially tricked Maggie into their partnership cannot break the two apart. Now that Maggie has faced down her toxic former mentor, her ability to trust blossoms, and she remains close to Kai, forming a dangerous plan to save both herself and him.

More important than Maggie’s newfound ability to trust others, however, is her ability to trust herself. After Maggie traps Neizghání, she says to him, “there’s a little girl I need to save” (281). By little girl, she does not mean a little girl like the one she tried to save at the beginning of the novel; she means herself. This marks an important moment in Maggie’s emotional journey, when she finally acknowledges that choosing to save herself is more important than choosing between two men. Although Maggie does come to trust Kai by the end of the novel, she can only do so because of her confidence in her own humanity. 

Fear of the Other

Monsters serve as a major antagonistic force throughout Trail of Lightning. In the novel, they represent the opposite of humanity, a group of Others to avoid, to fear, and to destroy. The primary monster that characters must face in Trail of Lightning is the tsé naayéé’, a combination of organic matter and human flesh that eats people. There are, however, other monsters and evil creatures, including witches, who are humans who have traded their souls for their magic. The presence of supernatural others defines the Sixth World (the world after the Big Water). Characters fear and fight monsters, and they look to specialists like Maggie and immortals like Neizghání to help fight them. Maggie’s job as a monster hunter exists only because of the danger that these monsters represent. The first few chapters of the novel show this potential for danger in great detail as Maggie tracks the monster who kidnapped an innocent little girl. The little girl’s family hire Maggie, and the mother asks her, “Do you have clan powers? [...] Like him, the Monsterslayer. The rumor is you do” (6). Maggie’s clan powers and training by Neizghání give her the skills to defeat these supernatural creatures, abilities that make Maggie notable to others. However, Roanhorse further reveals the danger of monsters in Maggie’s world when Maggie is unable to save the little girl, tainted by the monster who tried to eat her.

The taint of monster, or the ability of different monsters to infect those around them, terrifies the characters of Trail of Lightning. When Maggie discovers that the little girl whom she was hired to save has been infected by the wounds of the cannibalistic tsé naayéé’, Maggie must kill the girl. Afterwards Maggie is sickened and wonders, “I can’t help but think that if this was the right thing to do, why does it feel so fucking wrong?” (16). Maggie only killed this girl, an act that disgusts her, because even death is better than becoming a monster. Later in the novel, Maggie and Kai encounter another form of monster infection when they find the town of Crownpoint overrun with ch’į́įdii, the evil, ghostly residue of dead people that can infect humans around them with a ghost sickness. Although Kai and Maggie manage to escape these ch’į́įdii, this type of monster represents an incorporeal and even more difficult-to-battle enemy of humanity.

Maggie herself is intimately familiar with the idea of being infected by monsters. As she reveals to Kai at Crownpoint, she herself was once infected by the ghost sickness. In addition, throughout the novel Maggie feels constantly as if she herself were a monster. As a result of Neizghání’s abandonment of her for her skill in killing, Maggie feels that she is destined to slip into monstrosity. This self-doubt angers Kai at one point, and he asks Maggie, “Who fed you such a total crock of shit? […] who convinced you that all you are is a killer?” (233). Eventually he realizes it was Neizghání, even though Maggie idolized him. It is only when Maggie overcomes the impacts of her relationship with Neizghání that she can gain the self-confidence to truly feel human.

Climate Change and Environmental Destruction

The world of Trail of Lightning is not our own: It is the Sixth World. The Sixth World is that which occurs after the Big Water, an apocalyptic flood that wiped out a substantial portion of North America. This is the extension of the Diné conception of the Five Worlds present in their creation stories. As Coyote explains to Kai in the novel, he and the other Holy People lived through five distinct worlds, each of which ended in a flood. Now, in the Sixth World, Holy People again walk the earth among both humans and monsters. Before the Big Water, during the Fifth World, there were the Energy Wars. These were the wars of wealthy people who had hoarded natural resources fought for access to waning sources of energy. Others act similarly in the Sixth World, although they hoard other resources, like water. As Kai puts it, “Greed is universal […] seems anywhere there’s a natural resource, there’s someone willing to hoard it for themselves to make more money than they can spend” (54). These Energy Wars mimic the obsessions of fossil fuels that occupy much of our own world (the world of the readers). The Big Flood, while a sudden event in the novel, also represents a sped-up version of the rising waters that threaten Roanhorse’s reader’s environment. By associating the Big Flood and the changing of worlds with events like the Energy Wars, Roanhorse places her novel in a post-climate-change world.

In the aftermath of the Energy Wars, the Diné built the Wall. Maggie remembers the story of when the wall was built, thinking:

the Wall took on a life of its own. When the workmen came back the next morning, it was already fifty feet high. In the east it grew as white shell. In the south, turquoise. The west, pearlescent curves of abalone, and the north, the blackest jet. It was beautiful. It was ours. And we were safe (22).

This wall protects those inside it from the “damned Big Water nightmare” beyond (258), but even it cannot protect the valley inside from the effects of climate change. Maggie’s environment within the valley bears the heated marks of climate change. This heat, while certain present in the American Southwest that readers know today, is intensified to the extent that travel during mid-day is impossible. In addition, the very wall that protected Dinétah from the Big Water isolates this community from the outside world. This isolation leads to a society of Diné who govern and protect themselves, apart from non-Indigenous peoples. The world inside the Wall is entirely Dinétah, even down to the immortals like Coyote and Neizghání and the fantastical monsters like the tsé naayéé’. This life, however, is also one characterized by a dystopian scarcity of natural resources, where even coffee is a highly valued and scarce commodity.

Familial Ties and Obligations

Trail of Lightning is a novel of waxing and waning relationships, but its characters and their relationships are notable for carrying the deep-seated cultural norms and obligations of the Diné. One such obligation that affects Maggie’s actions throughout the novel is the Diné idea of k’é. K’é is a Diné kinship system, but it has more meaning than simple genealogy. To the Diné, k’é implies reciprocal affection and generosity, an obligation to care for each other based on even far-distant family ties. At the beginning of the novel, Maggie considers but ultimately disregards k’é when she bargains with the kidnapped little girl’s family for the price of Maggie’s assistance. Although Maggie knows that she must be, in some way, related to this family, she does not consider herself “much for tradition” and bargains as if they were unassociated stranger (3). However, other forms of family ties and obligations are revealed in Maggie’s relationships to others, especially to Tah, Kai, and the Goodacres.

Maggie feels a very deep sense of familial obligation to Grandpa Tah, although they are not actually related. When Tah’s place burns down and Maggie believes him dead, she thinks, “Daughter. That word means something in Navajo. It means family but also responsibility. It was my responsibility to keep Tah safe, and I’ve failed spectacularly at the thing that mattered most” (142). Even though Maggie thinks she has failed in her obligation to Tah, the obligation runs so deep that she must help his grandson, Kai. Even though Maggie is easily suspicious of others, and even though at this point she suspects Kai of betraying Tah, she still feels obligated to help the grandson of the man whom she did trust.

Maggie’s later observations of the Goodacre family contrast their familial ties with her own lost ones. On one hand, although Maggie is unable to fully trust Grace and her advice, it is clear that Grace Goodacre cares for Maggie. Moreover, after Maggie and Kai save Grace’s older two children, Rissa and Clive, from monsters, Grace expresses a sense of obligation to the two partners. Grace says to them, “Your debt is paid to me, Maggie Hoskie. In perpetuity. You and Kai are always welcome in my home for as long as you want” (190-91). In saying this, Grace welcomes Kai and Maggie into her family. In addition, when Maggie first visits Grace’s trailer, she observes a number of Goodacre family photos—presenting a sharp contrast with Maggie’s recent loss of Tah, who was her only family at that point.

In the beginning of the novel, scenes of domesticity have a triggering effect for Maggie, who lost her last biological relative to a gruesome witch attack. When Coyote visits Kai and Maggie makes them all dinner, this brief domestic moment triggers the memory of the loss of her grandmother, since Maggie associates cooking with her nalí (grandmother). While she kneads bread, for example, “the slapping sound brings back memories of [her] nalí’s kitchen and the daily ritual of making bread” (104-05). However, the memories after this are full of gore and fear. These memories, of her grandmother’s death, fill Maggie with a sense of failure and self-doubt. She thinks her inability to save her grandmother makes her a failure and her killing of the witch and his men makes her a monster. Domesticity, however, has a different impact on Maggie near the end of the novel, when she feels more confident in her found family. After she and Kai save Rissa and Clive, and Maggie returns to the Goodacre trailer, Maggie walks into what appears to be a family dinner. At this point in Maggie’s emotional journey, she is more ready to accept others into her life, and a domestic scene has a less traumatic effect on her.

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