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61 pages 2 hours read

Shari Lapena

What Have You Done (Adler and Dwyer, #0.5)

Fiction | Novel | Adult | Published in 2018

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Chapters 10-22Chapter Summaries & Analyses

Chapter 10 Summary

Riley goes to the police station, deciding that she needs to tell them about Diana’s thoughts of breaking up with Cameron. Although she feels disloyal to Cameron doing so, she also does not want to let Diana down. When she finishes, the officers ask if she knows anything about a customer where Diana works. She tells them that he used to come in on Friday nights.

Aaron, Diana’s manager, is at work when the two officers arrive at Home Depot to talk with him. They ask about the man who made Diana nervous. Aaron tells them that he would come in and go to Diana’s line—no matter how full it was—and try to talk with her. From store footage, the officer gets a picture of his face.

Chapter 11 Summary

That afternoon, Paula speaks with Principal Kelly. He told her about a complaint that Diana had made against the gym teacher, Brad, who was making her uncomfortable. She asks Kelly if he told the police, but Kelly decided against it because he did not want to damage Brad’s reputation, and he is certain that Brad had nothing to do with Diana’s death. However, after Paula tells Kelly that Diana might have told someone else and that he needs to tell the police, Kelly decides that she is right.

Chapter 12 Summary

Joe Prior is a construction worker. He discovers that his photo has been published in the news, and the police are trying to find him. He decides to go to the station voluntarily, as he knows he did nothing wrong. He answers the detectives’ questions, insisting that he flirted with Diana but never saw her or followed her outside of work. He tells them that he was with his friend, Roddy, the night before.

Chapter 13 Summary

Brenda sits with her ex-husband, Lee, at her kitchen table. She thinks of how little he had to do with Diana’s life the last several years since he moved out, remarried, and had more children.

Two detectives arrive to speak with them. They inform them that they heard from Riley that Cameron and Diana were having some issues, but Brenda confirms that she did not know anything about it. No strange fingerprints were found in their home, and there were no signs of a break-in. They tell them about Joe but that he has an alibi. A neighbor did see a truck outside their home but no other details about the vehicle. The detectives point out that both Joe and Cameron drive a truck.

Chapter 14 Summary

Roy sits down to dinner with his wife, Susan, and his daughter, Ellen. Ellen’s wedding is planned for the winter to her fiancé, Brad—Diana’s running coach. They eat in silence, each thinking of Diana’s death. Ellen mentions the man from the news—Joe—and how the students at school are talking about how he is a customer at Home Depot. She also says that Brad thinks Diana was targeted because she was such an “attractive girl,” a thought that unsettles Susan due to the implication that it is somehow Diana’s fault.

Chapter 15 Summary

Riley is insistent that she needs to speak to Cameron as she slowly begins to wonder if he is capable of murdering Diana. The two sit on Cameron’s bed and talk about what he told the police—that everything between them was fine. Riley asks about Diana’s desire to go to a different school than Cameron, and Cameron seems surprised that she knows that. However, he insists that he was fine with it and that Diana was happy when he dropped her off at home. Through it all, Riley questions whether she believes him.

After Riley leaves, Shelby decides that she needs to talk to her husband about Cameron lying to the police. She tells him that Cameron came home after 1:00 am and questions why he would lie to the police. However, before her husband can answer, she says that he must’ve lied to avoid getting in trouble about his curfew. Edward seems doubtful and insists that they ask their son, but Shelby says it’s probably “better if [they] don’t ask him” and “flees” the conversation (83).

Chapter 16 Summary

Evan types in his diary and thinks back to a night two weeks before when he, Riley, Diana, and Cameron went to the graveyard together after the movies. He and Cameron had taken alcohol from their parents, and they sat together and drank and told ghost stories. However, he stops writing because the memory and the thought of Diana being buried in that graveyard makes him “sick.” He then gets a text from Riley.

Chapter 17 Summary

Paula sits with her husband, Martin, on the couch. She tells him that she is worried about Taylor and her lack of friends and that she keeps thinking about Diana. They discuss whether Paula did the right thing by convincing Kelly to go to the police. Martin says he isn’t sure, and Paula responds that you never can be “with this kind of thing” (93).

Edward approaches his wife to speak with Cameron about why he lied to the police. She breaks down, telling him that she can’t know the truth—that if she is asked, she won’t be able to lie to the police about it. However, Edward assures her that their son is not a suspect, so the police won’t speak to them. He tells her that they don’t need to talk to Cameron, but internally, he decides that he will speak to him on his own and leave Shelby out of it. Unlike his wife, he tells himself he is prepared to lie to whomever he needs to, if it means protecting his son.

Chapter 18 Summary

Riley tells Evan about her conversation with Cameron. Evan admits that Diana probably told Cameron the night before that she didn’t want to go to the same school as him, but he is still adamant that there is no way Cameron is a murderer. However, Riley isn’t as sure.

When his wife goes to take a bath, Edward hesitantly goes to his son’s room to ask him why he lied about what time he came home. Cameron tells him that he did come home at 11:00 pm, but he went back to Diana’s and sat outside her house for a couple of hours but never went in to see her. They fought about her going to a different school, and she broke up with Cameron. Edward is relieved that his son didn’t hurt Diana but knows that it will look bad if the police find out. Cameron asks if he should tell the police, but Edward says not to unless they find out another way.

Chapter 19 Summary

Brad sits at home, leaning out his window, smoking a cigarette, and thinking how anxious he is about Diana’s death. At that moment, Principal Kelly calls him. He informs Brad that he has to tell the police about Diana’s accusation. He apologizes for doing it, but it just makes Brad angry, knowing that it will “ruin” him if it goes public. However, Kelly does not back down, instead reassuring Brad that there’s a possibility no one will find out other than the police. After Brad hangs up, Ellen calls him, but he doesn’t answer.

At home, Ellen is upset that Brad doesn’t answer but convinces herself he could just be busy or is too upset about Diana’s death. She thinks of how “dysfunctional” his family was growing up, which makes it difficult for him to share his feelings, instead “keeping part of himself locked away from her” (104). She sits down to work on their wedding plans, telling herself that when they start a family together, it will be different.

As Brenda struggles to fall asleep, she feels Diana’s “presence” around her, comforting her.

Chapter 20 Summary

As Principal Kelly drinks a whiskey at home, he convinces himself that Brad will have an alibi and nothing will come of the police finding out about Diana’s accusation. He worries about whether his job will come under scrutiny for not reporting it in the first place.

Typing in his journal, Evan explains how Diana was the center of their friend group, and now that she is gone, they will likely drift apart—especially with Riley suspecting Cameron of killing her. He hates his life at home; his father was always disappointed that Evan was more into writing than sports. As he thinks of how Diana was the one who understood him and that he could share books with, he begins to cry.

Chapter 21 Summary

The next morning, Saturday, Cameron is called down to the police station. Two detectives take him into a room, reminding him that he is there voluntarily. He can hardly control his fear and anxiety over whether they know that he lied to them. They ask if there were any problems in his relationship with Diana, and he insists that there weren’t. However, he realizes too late that Riley knew about their problems and likely told the police.

Edward watches his son answer the officers’ questions and notes how nervous he has become. The police tell Cameron that they know he and Diana were having some issues, but Cameron insists that they did not argue that night—and that Riley was just jealous of how much time they spent together. As Cameron answers, Edward realizes that his son is lying more and more but feels responsible for telling him to lie. At the end of their questioning, the police tell him that a neighbor saw his truck outside Diana’s house after midnight.

Cameron admits to the police that he went back to Diana’s and waited outside her house but tells them he never went in. They then tell him that they know he got out of his truck. Before Cameron can answer, Edward interrupts and demands a lawyer. The police inform them that Cameron’s questioning is no longer voluntary, and they will wait for his lawyer to continue.

Chapter 22 Summary

Diana watches from above in the interview room, feeling as though she is alive but somehow “drugged,” as though she is separate from it all. As she watches the interview unfold, she grows angry at Cameron and wonders whether he killed her. Slowly, she remembers the night she died, how she and Cameron drove out in his truck, had sex, and then she suggested that they go to different schools. She initially wasn’t going to break up with him; she was just trying to get space, but when he responded angrily and acted “entitled” to her, she broke up with him and demanded he drive her home. She does not remember what came after that, as she realizes that maybe this is not a dream and she is intentionally not remembering her murder.

Chapters 10-22 Analysis

To continue to build suspense in the novel, Lapena continues to use a limited third-person point of view for most of the text. She slowly reveals more information about three potential suspects: Cameron, Brad, and Joe. Each of these potential antagonists has motives that incriminate them in Diana’s death, but she stops short of revealing the truth. Instead, the unreliability of the narration hides pertinent information about each of them, building the murder mystery at the core of the novel.

This section of the text expands on the theme of The Consequences of Secrets and Deception through these characters. One central conflict of the text is between Brad and his fiancée, Ellen. Kelly lied on Brad’s behalf to the police and withheld the details of Diana’s accusations, a decision that begins to harm Brad, as he is seen smoking more and more in the text and unable to see Ellen because of his fear of the truth being revealed. As the conflict begins to grow between the two, Ellen notes how “there always seems to be something unknowable about [Brad], as if he’s keeping part of himself locked away” (104). While this initially just seems like a comment on his personality, it foreshadows the fact that Brad is attracted to the high school girls he teaches. At this point in the novel, she is convinced of “how different it will be when they start a family of their own” (104), a sentiment that will be destroyed as the consequences of Brad’s decisions and his lies are revealed.

Another aspect of this theme, which is introduced in this section of the text, is the power dynamics of secrecy and deception. As Brad’s superior, it is Principal Kelly’s responsibility to handle and report Brad’s actions; however, he chooses to dismiss Diana’s accusations and keep them a secret. Now that he feels forced to come forward by Paula, he admits that part of his desire to hide it is that “he doesn’t want to be under scrutiny for the way he handled it” (107). In a position of power, Kelly can control the narrative around his teachers and students, deciding to dismiss Diana’s accusations and protect Brad. Now, he must face the consequences of those decisions.

The conflict that occurs between Brad and Diana, which Kelly hides, also introduces the theme of The Complexities of Sexual Assault Allegations. At this point in the text, the allegations against Brad are described as Brad being “inappropriate” toward Diana. Lapena stops short of revealing the facts of the allegation, but the conversation between Kelly and Paula shows Kelly’s poor handling of the allegation. Paula thinks to herself how “she wished she’d been in the room; she might have handled it quite differently” (59), and she tells Kelly that “maybe [Ellen] should find out. Maybe she should know that the man she’s going to marry has been accused of being inappropriate with one of the teenage girls he teaches” (60). Kelly’s decision to protect Brad and dismiss Diana’s accusation is one of the central issues to allegations of sexual misconduct: the tendency to not believe the accuser.

Similarly, Lapena revisits the theme in a different form when Ellen and her parents discuss Diana’s death. Ellen notes how “Brad says [Joe] was probably harassing her because she was such an attractive girl. He says she got a lot of attention” (74). Her mother, however, comments how “That’s like blaming the girl for being beautiful. As if it’s her fault somehow. [She doesn’t] deserve to be murdered” because of it (74). Although this may not have been what Ellen meant when she quoted Brad, her mother calls attention to another important issue with sexual assault: the belief that the person who was assaulted is somehow responsible for what happened to them because of the way that they look or act. In addition to advancing this theme, Brad’s remarks also foreshadow the revelations of his assault and harassment of several teenage girls later in the text.

These chapters further develop the recurring motif of ghosts in the novel. Writing in his diary, Evan reflects on when he, Riley, Diana, and Cameron went to a graveyard two weeks before her murder, drinking alcohol and telling ghost stories—an ironic detail, seeing as Diana’s death has rendered her a ghost. Watching Cameron in the interview room from above, Lapena allows Diana to comment on the status of the investigation of death. She feels “drugged,” angry at Cameron, and wonders whether he is her murderer. While Cameron reflects on more innocent ghost stories, Diana is now trapped as a ghostly figure following her death, demonstrating its significance in the narrative.

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