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61 pages 2 hours read

Shari Lapena

What Have You Done (Adler and Dwyer, #0.5)

Fiction | Novel | Adult | Published in 2018

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Chapters 41-56Chapter Summaries & Analyses

Chapter 41 Summary

Evan is worried about Riley, as she is refusing to go back to school and does not think she can go to Diana’s burial in two days. He also thinks of Cameron and how they used to be close, but he has become more arrogant and changed when he started dating Diana. He thinks of the “hubris” required to text Riley back and wonders if Cameron could be that arrogant.

That night, Edward talks with his wife. They decide that if Cameron went to the field to hide the phone, they need to find it to protect him from the police. Edward drives to the field and searches but finds nothing. As he goes to leave, he sees headlights coming up behind him, so he drives away as fast as he can.

Chapter 42 Summary

On his way to the store, Roy sees Edward’s taillights but doesn’t know who they belong to. He tries to follow him, but Edward drives too fast and loses him. He goes to the police, afraid that there may be another body in one of his fields.

Paula is worried about her daughter, Taylor, after seeing her sitting alone in the cafeteria. She goes up to Taylor’s room with her husband, and they ask her if everything is alright; Taylor insists that everything is fine. Paula points out that she is always alone at school, but Taylor tells her that she is fine that way. When Paula asks to see Taylor’s phone, Taylor refuses, and Paula wonders if she should force Taylor to show it to her.

Back downstairs, she and her husband decide that they need to figure out how other parents handle situations like this. Everything that has happened—Diana’s death, the allegations against Brad, and Principal Kelly likely losing his job—makes Paula “sick to her stomach, thinking about it all” (228).

Chapter 43 Summary

Detective Stone and his partner visit Joe Prior at the construction site on Tuesday morning. They ask him why he went to Quebec, and he lies and says that he went shopping. However, when they ask him what he bought or if he has receipts, they realize he is lying. They leave him, and Joe watches as they go over to talk to Roddy. Joe thinks the conversation lasts too long, and he can see in Roddy’s body language that he tells them more than he did before.

Brenda walks around her house, knowing for certain that she can “sense” Diana’s presence and talks to her. She realizes that she has not been out of the house in a long time and texts Riley and Evan. They come over, and she asks them to go to the grocery store for her. When they leave, she continues talking with Diana, asking for a “sign” if she is there.

Diana watches as the detectives interview Joe Prior. She notices his smell, like he does not wash his clothes or bathe often enough. She breathes it in, hoping that it will trigger the memories of her death, but it doesn’t.

The police tell Joe that Roddy admitted to lying to them; he has no alibi for the night Diana died. Joe insists that he did it so the police would leave him alone and reminds them that he came in the first time voluntarily. As they speak, Diana remembers something about Joe’s smell: She once smelled it in her car after work. She realizes that he could have looked at her documents and gotten her address. She also remembers a night when she looked out her window and saw a man standing in the street watching her. The feeling of “terror” she had that night is the same one she feels now, looking down at Joe. She yells at the police, trying to tell them, but they cannot hear her.

Chapter 44 Summary

On the way home, Joe thinks about how he could end up in jail. It reminds him of all the horrible places he lived as a kid, like the cheap apartments, a trailer, and the closet where his father used to lock him up for days without food or water.

Paula goes over to Brenda’s house to offer her condolences and give her some of the work that Diana did in her class. Brenda tells her that Diana is there in the house with them, startling Paula. She also says that she worries that she is being “selfish” by keeping Diana there and not allowing her to rest; she hopes that at the funeral the next day, Diana will find peace. As Paula leaves, she thinks of how Brenda “seems to have lost her mind” (239).

Chapter 45 Summary

Diana watches her mother talk with Paula and worries about her but realizes there is nothing she can do to help. Parts of her memories are coming back in fragments as she still struggles to remember who killed her. She thinks back to the conversation where she told Principal Kelly about Brad and how Brad denied everything and said that Diana tricked him into coming into the locker room.

Joe watches as the police search his apartment. Even though he knows they won’t find anything, it still makes him nervous, and he wishes he had never told Roddy to lie.

Ellen tells herself to continue to ignore Brad, but she breaks down and reads his messages. He begs her to answer him and insists he did nothing wrong. In the last message, he tells her that he got a lawyer, and the lawyer is sure that he is fine.

Brad is shocked when he receives a message from Ellen asking him to tell her more about his meeting with the lawyer. He asks her to come over, but she refuses, so he texts her. The lawyer told Brad that he saw the file at the school, and the stuff in it was only “minor.” According to his contacts with the police, there is no real evidence in Diana’s murder case against anyone, and the media is just creating hype around it.

Ellen responds that she wants to see the file. Brad agrees to talk with Principal Kelly. Ellen allows herself to have “a little hope,” convincing herself that the girls could be lying and he would support Brad, as he could possibly be the “victim” (246).

Chapter 46 Summary

Kelly sits at home, drinking when his wife comes in. She confronts him about the situation, and he admits that he handled Diana’s accusations wrongly and he could lose his job over it. He thinks of how he wishes he were “a man of action” (248), like trying to fix his marriage instead of having an affair and reporting the incident with Diana, even if he didn’t believe her.

Paula tried talking with her friend, Karen, about how she handles problems with her daughter, but Karen was no help. She decides to talk with Taylor again. She tells her that she is thinking of changing schools because her teaching there has an impact on Taylor, but Taylor insists that is not part of the problem and then begins sobbing.

Chapter 47 Summary

Ellen goes over to Brad’s house, and he shows her a copy of the file from the school. In it, Kelly writes that he had a meeting with Diana and Brad, and Diana complained of Brad looking at her and touching her inappropriately. Brad apologized and insisted he never meant to make her uncomfortable. Because Diana did not want anyone else to be told of the incident, Kelly notes that he was inclined to believe Brad and thought that Diana may have either misunderstood or made it up. Ellen is slightly reassured but still wonders if she can ever truly believe in Brad’s innocence and trust him again.

Chapter 48 Summary

Taylor tells her mom that Principal Kelly’s daughter, Sadie, has been bullying her at school. She told Taylor that if she told anyone, she would use her dad to get Paula fired. Paula reassures Taylor that there is nothing Sadie can do and that she will handle it. Taylor then admits that Brad sometimes looks at her chest, and when she catches him doing it, he “just smiled and did it anyway” (258). She admits that she was too embarrassed by it to talk about it before. Paula reassures her but is furious that Kelly’s inaction allowed this to happen.

Diana watches at 11:00 pm as the police interrogate Joe. They tell him that they found the body of a 16-year-old girl, Katie Cantor, in upstate New York. Joe was questioned about her disappearance because he had made her uncomfortable at her job. The police hold him overnight in a cell as Joe asks for a lawyer.

Chapter 49 Summary

Riley wakes up on Wednesday morning, thinking about Diana’s funeral that day. She suddenly realizes that there is an even older cemetery in town, Macklin Cemetery, and decides to go there. She finds the grave of Simon Foster, born in 1861. She is “unsettled” by the discovery but decides that she can’t talk to Evan about it because he would just explain it away as a coincidence. Instead, she decides to talk with Sadie Kelly, who was with her and Diana when they used the Ouija board.

Cameron and his parents go to Diana’s funeral. They decide not to offer their condolences to Brenda and speak with as few people as possible, arriving early and sitting in the back. They are unsure how the town feels about them and know that at least some people must think Cameron is guilty. Cameron spends most of the time looking at the ground, but near the beginning of the service, he catches Evan’s eye at the front of the church. The two stare at each other as Cameron refuses to look away, but then he begins to cry. He wonders if Evan and Riley think he killed Diana and is frustrated that they can’t see that “he’s hurting too” (266).

Ellen and her parents argue over whether she should go to the funeral. They want her to stay away and not cause more gossip when she did not even know Diana, but she wants to go to support Brad—who insists he needs to be there to show he has nothing to hide. Although she is not fully convinced the girls lied, she has enough doubt to stay with Brad for now and decides to go to the funeral.

Chapter 50 Summary

Brad enters the church and looks around. He notes that Taylor is there and thinks that she could be a problem. Then, he spots Zoe as he pushes his anger down.

Principal Kelly sits in the church, thinking of how he is in front of God as he continues to lie about the situation with Brad. He thinks of how he has “come to realize that he’s a weak man, a coward” (269), and he considers whether to tell the police the entire truth.

Paula looks at Kelly and his daughter. She realizes that most of her anger lies with Brad and Sadie, but she also holds some toward Kelly for not preventing what happened. She decides that she needs to tell the police about her daughter’s experiences with Brad, at the very least, to make sure that Brad never teaches again.

Riley sits through the service, barely able to pay attention as she stares at Diana’s coffin. Despite her worries, she follows the procession to Diana’s grave. As they lower her body in and throw in the first pile of dirt, she faints.

Diana watches over her funeral, noting all the people who attended and the grief she sees in her mother, Riley, and Evan. She realizes that she is angry toward Principal Kelly for not supporting her and becomes even angrier when she sees Brad. She then has a flashback to the night she died, her memories finally coming back to her. She saw a man on the road, staring up at her in her bedroom. She shut off her lights and looked for her phone but realized she left it downstairs. She then heard the man come into her house and start up the stairs. She attempted to open her bedroom door and flee, but he was right outside it. She suddenly sees his face and remembers that it was Brad Turner. Now, she is overcome with rage and dedicated to finding a way to “haunt” him “for the rest of his miserable life” (274).

Chapter 51 Summary

Joe waits in his cell, panicking as he has flashbacks to his time being locked up as a child. He did kill Katie in New York, then moved to Vermont to get away from it. He considers it “sheer shitty luck” that Diana died (275), and they saw him on the Home Depot camera, as he never intended to kill her. He is finally brought into the interview room on Wednesday night. They tell him that DNA evidence was found on Katie’s body, and the New York State Police are on their way to arrest him.

Principal Kelly tells his wife about his affair and then goes to the police station to tell them the whole story that he was told by Diana. During it, he weeps and now feels relieved, even though he knows he will never work in a school again.

Brad is called down to the police station. The detectives tell him everything that they learned from Kelly; they now have all the details from the first meeting but also know that there was a second meeting. The night before Diana died, Brad went into her house and made her undress, then told her no one would believe her if she told. At school the next morning, Diana went to Kelly and demanded that Brad stay away from her, or she would call the police. To keep her quiet, the detectives surmise that Brad went back to her house that night and killed her. Brad adamantly denies it, but the police inform him that another survivor, Taylor, has come forward, too.

Chapter 52 Summary

That night, Ellen sits down with her parents to watch the news. They see the report on Brad’s arrest. In response, she has a “disorienting” feeling of “total emptiness” (281).

Paula and her husband also watch the news. Paula realizes that Kelly likely gave more information to the police. She is relieved that Diana’s murderer was found but also feels nauseated that it could have been Taylor next.

Chapter 53 Summary

The next morning, Riley wakes up, having slept fitfully after fainting. She feels overwhelmed by the idea of trying to move on without Diana. She tried to get Sadie to help her contact Diana with a Ouija board the day before, but Sadie claimed she didn’t fully remember that night and didn’t believe it had worked.

Riley texts Evan and then goes over to his house. She tries to convince him to contact Diana, but he insists that she needs to calm down and prepare to move on. She admits that he is right, then he offers to let her take a nap. When he goes down to get her a drink, she spots something under the bed. She pulls it out and realizes it is Diana’s phone.

Chapter 54 Summary

Diana watches Riley and Evan as they grieve for her. She sees Evan go downstairs, and then Riley discovers her phone under her bed. She suddenly remembers what happened to her on her last day. She went to Principal Kelly and Brad and threatened to go to the police. She was afraid of not being believed but also of how Cameron would react—if he would be angry at Brad or angry at her, thinking that she somehow led Brad on.

That night, after breaking up with Cameron, she went home, and then Evan knocked on her door. She let him in so he could borrow a book, and she told him about breaking up with Cameron. Evan then told Diana that he loved her. After everything she had been through, she laughed in response, feeling on the verge of “hysteria.” Evan then became enraged and hit her, knocking her down, then climbed on top of her and strangled her with her jump rope.

Chapter 55 Summary

After finding Diana’s phone, Riley calls 911. She tells them her address and that she is there with Diana’s murderer but then hangs up when she hears Evan coming back up the stairs. She pretends to be asleep, but when she looks at him, she realizes that he knows she is lying. He becomes enraged and forces her to show him her phone. He sees she called 911 just as they hear sirens in the distance.

Ellen hears the news that Evan was arrested, but she still does not go see Brad. Instead, she goes to Principal Kelly and demands that he tell her everything he knows about Brad. He tells her the whole story. She leaves, “sickened,” and decides that she is going to move to a new town and start a new life.

Diana looks down at Evan as he sits alone in the interview room. She notes how she saw him transform into someone different, both when he killed her and when he found out that Riley had called the police. However, her desire for revenge is fading as she realizes that “Evan will pay the price” and “suffer for what he’s done” (300).

Chapter 56 Summary

Evan sits in the interview room, thinking about how he killed Diana. He knew that he always had another side of himself, angry and capable of murder, buried deep in him, but it surprised him nonetheless when it came out. However, he harbors anger toward Diana for making him do it—for laughing at him and causing him to snap.

Now, he thinks of the cameras rolling in the interview room and how much he would like to be able to watch all the tapes from the past few days. He thinks of it as good research for the book that he is going to write. Although he never planned on getting caught, he decides it is not such a bad thing to go to prison to be able to earn a degree and write his book, especially now that he will have some fame from being known as a murderer.

He also thinks about the journal he had been writing. Even though it was all lies, he realizes that “he doesn’t really want to be this other Evan” (306). He wishes he were the one in the journal. When he finally writes his book about his experiences, he is excited to “play” with the truth as he did in his journal, something that all writers do.

Chapters 41-56 Analysis

In the final section of the novel, it is revealed that the suspicion placed on Cameron, Joe, and Brad throughout the novel was a series of red herrings—a plot device used in mystery fiction to intentionally mislead the reader away from the truth. By utilizing the limited third-person perspective, Lapena builds suspense around these three characters, positioning them all as likely suspects in Diana’s death, only to lead to a false climax wherein both Joe and Brad are wrongfully believed to be Diana’s murderer. However, she also adds a new dynamic to the idea of the red herring; although innocent in Diana’s death, both are ultimately guilty of committing sexual harassment and abuse against young women, and Joe even committed a different murder.

It is also revealed that Evan, the only living first-person perspective in the novel, is an unreliable narrator throughout the text. He repeatedly writes about how devastated he is by Diana’s death and how he is unsure he can move on without her. He also expresses concern for Riley and Brenda, adamant that he needs to help them move on from their grief. At one point, he even actively leads the reader to suspect Brad and Cameron, as he writes, “Just how much of a creep is [Brad]? Could he be a murderer?” and that Cameron has the “hubris” to send a text from Diana’s phone to Riley (218-19). These comments serve to misdirect the reader and, should someone read his journal, make them believe in his innocence within the novel.

In the resolution of the text, as Evan awaits arrest in the interview room, Lapena also reveals his journal to represent a form of metafiction—fictitious writing that comments on the real-world act of writing. Evan writes in his journal that he one day wants to be an author and write about Diana’s death. At the novel’s end, he writes that “he enjoyed writing that journal. It’s fun to play with the truth. Isn’t that what writers do?” (306). This question explores the job that Lapena does in her texts. Although her work is fiction, there is some truth within, specifically in the themes and ideas that she examines that apply to the real world. The character of Evan and his journal becomes a metaphor for the writer. As he controls his narrative perspective, he can control what he writes and reveals to the reader, thereby revealing the “truth” about the world that he wants.

As the truth surrounding Diana’s death unfolds, the revelations about Brad continue to explore The Complexities of Sexual Assault Allegations. By providing Diana’s point of view, Lapena shows her feelings and hesitations about reporting Brad’s abuse. As she remembers Brad coming inside her home and forcing her to undress while he watches, she also recalls not wanting to go any further than Principal Kelly for two main reasons: She felt as though she would not be believed, as happened the first time she told Kelly about Brad watching her, and she fears the reaction that Cameron will have. She explains that “mostly, it was Cameron. I was afraid of what he might do if he knew what Mr. Turner had done. I thought Cameron might attack him. […] And… I was afraid Cameron might blame me a little. I was afraid he might think I’d let Mr. Turner on somehow” (292). These feelings point to two common fears in reporting sexual assault: the fear that the survivor won’t be believed and the fear that they will somehow be blamed for what was done to them. In the novel, both things come true, as several characters question whether they believe Brad’s victims, and Brad and Ellen imply that Diana was somehow at fault.

Lapena further explores this theme through the character of Taylor. While Paula notices several times that something is wrong with Taylor, Taylor refuses to tell her the truth. However, she finally breaks down, telling her mother that she’s sorry she didn’t tell her, “but it’s embarrassing” (258). This thought provides yet another complication of reporting sexual assault: the feelings that come with admitting to being assaulted and the societal stigma on it. To avoid the conversation and the embarrassment that accompanies sharing being assaulted, Taylor lies. Not confiding to her family hinders her school experience and mental health.

After more of Brad’s victims come forward, Ellen makes a major change in the text. She previously stood by Brad throughout the novel—questioning whether his victims were telling the truth and not wanting to ruin her marriage and potential happiness by turning against Brad. However, after she finally speaks to Principal Kelly and hears the truth of the allegations from him, she decides that she no longer wants to be with Brad. Although she already purchased a home to move into after their marriage, Ellen decides to “leave Fairhill and make a new life somewhere else, she doesn’t care where. She can’t live here anymore” (300). Ellen’s home becomes an important symbol in the novel; while it initially held the aspirations of settling down, starting a family, and living a traditional life with Brad, his deceptions and actions have ruined it. Walking away from the house she intended to start a new life with Brad symbolizes Ellen’s decision to trust the survivors’ testimony and leave a predatory man who deceived her and abused teenage girls.

Ellen’s decision to leave demonstrates the interaction between The Consequences of Secrets and Deception and The Impact of Tragedy on Communities. In many ways, Ellen feels very passionate about the town of Fairhill. She wanted to uphold traditional values, only living with Brad after they were married. She largely fears the thoughts of the community and its “gossip,” a main motivation for wanting to stand by Brad and go to the funeral with him. As the tragedy of Diana’s death unfolds, however, her view of the world and her community are called into question due to Brad’s deception and the lies he tells. As his secrets are revealed, and she deals with the fallout of Diana’s death, she ultimately chooses to leave her community and start fresh somewhere new, escaping from both Brad’s influence and other’s perceptions of her in Fairhill.

As the narrative concludes, the recurring motif of ghosts plays a central role. Riley still clings to the belief in the supernatural, visiting Simon’s grave the morning of Diana’s funeral and attempting to contact Diana with the Ouija board. Brenda senses Diana’s presence in the house, continuing to talk to her deceased daughter to keep her spirit alive, even though his behavior makes Paula believe the grieving mother has lost her mind. Both characters’ belief in Diana’s ghostly presence is a source of comfort that symbolizes a struggle to move forward. Diana continues to watch the investigation, her funeral, and the community’s grief unfold, and it is her narration that provides key details about what happened to her on her last day alive. Previously seeking out revenge toward those who harmed her, this desire is fading for Diana by the end of the novel. As she realizes Evan will pay the price for his violent actions, she finds personal peace and hopes those grieving for her death can also find this form of solace.

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