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45 pages 1 hour read

Sarah Adams

When in Rome: A Novel

Fiction | Novel | Adult | Published in 2022

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Chapters 19-29Chapter Summaries & Analyses

Chapter 19 Summary: “Amelia”

When Amelia and Noah go into town, Noah tells her that the flirting between the two of them must stop. Amelia tells him that she’s not looking for a relationship either, and she thinks, if it weren’t for her crush, they could be good as just friends. They go to a diner that has some cell phone service unlike the rest of the town, and Amelia gets several messages from Susan about maintaining her diet while on vacation. Noah tries to talk to Amelia about how she feels but she shuts him down, just as he often does when she asks him personal questions. At the diner, their server jokes about Amelia and Noah’s relationship, mentioning that she thought Noah would never go after another woman after his ex-fiancée from New York City broke his heart by not coming back to Rome with him when his grandmother got sick. Amelia feels surprised by this news, but even more so by how easily their server and other diners relate it to her while Noah sits quietly in agony. Noah gets up to do the server’s job of pouring coffee while she talks with Amelia. The server and other diners nearby want to make sure Amelia won’t leave Noah and break his heart; they all believe the two of them make a good couple. Though Amelia tries to assure the townsfolk that she and Noah are just friends, hope starts to bloom that she might have a chance with him.

Chapter 20 Summary: “Noah”

On the way home, Noah knows he has to tell Amelia the whole story about his relationship with Merritt. He thinks about how Merritt came to Rome to sell the property of a deceased family member and Noah, thinking she must be lonely, offered her help. He spontaneously proposed to her on her last day in town, and she agreed that he moved back to New York with her. After a few months, their initial chemistry faded away and Merritt cheated on him with a coworker, so he returned to Rome. Yet when he asks Amelia if she wants to know the whole story, she can see that he is hurt by it and doesn’t force him to tell her. As they explore the town, Amelia wants to go into a hair salon but is afraid of what Susan will say if she changes anything about her appearance. Noah finally convinces Amelia to do what she wants instead of what Susan wants and leaves her at the salon.

Chapter 21 Summary: “Amelia”

Amelia has fun listening to the women at the hair salon gossip back and forth as her stylist Heather gives her the bangs she has always wanted. When she ends up blurting out the truth about her relationship with her parents, Heather hugs Amelia and invites her to her upcoming wedding. Just as Noah returns to the salon, Amelia sees a man dressed in dark clothing with a camera outside the window, and she knows the paparazzi have found her. She thinks that her mother must have sent them since she’s the only one Amelia told her location. Noah and the hairdressers help her get out of the salon unnoticed, even when the paparazzo comes inside and starts asking questions about her.

Chapter 22 Summary: “Noah”

Noah believes he needs to stay away from Amelia and tries to hide from her in his bedroom. He hears Amelia stop outside his door and consider knocking, but she leaves instead.

Chapter 23 Summary: “Amelia”

Amelia knows that Noah is hiding in his room to get space from her, yet she still wants to knock on his door. She calls Susan to distract herself, but Susan automatically assumes that Amelia has fallen for Noah and is ready to give up her life to be with him. Susan belittles her and tells Amelia to call back when she’s ready to be a professional again, before handing the phone to her assistant Claire while she heads into a meeting. Claire begins to talk about Amelia’s upcoming tour until they hear a door close behind Susan, and Claire’s whole demeanor transforms. She tells Amelia that some terrible things are going on behind her back that she wants to tell her about, but it will have to wait until she is back in town. Claire admits that she will be leaving Susan shortly but that she’s happy Amelia is finally getting a break. She’s going to pretend that the call between them dropped so Amelia doesn’t have to think about work and she will have an excuse to tell Susan. Amelia feels shocked, but grateful to Claire. As she heads back to her room, contemplating what Claire could have meant, she trips on her pajama pants and literally falls into Noah’s room, startling them both. When Amelia looks around, she sees Noah’s personality in the decor and shelves of books he has in his room. Noah invites her to stay and read with him, and Amelia agrees, though she only pretends to be reading for the next hour as she soaks in every detail about Noah.

Chapter 24 Summary: “Amelia”

The next day, Amelia and Noah avoid one another, knowing they are on a path that neither of them can afford to follow. She has decided to have a girls’ night with the Walker sisters but feels nervous because she hasn’t spent time alone with girlfriends since high school and doesn’t know what to do. Noah assures her that she will be okay and hugs her before he leaves, but the sisters catch the two in their embrace. When Noah leaves, the four women watch Roman Holiday, and the Walker sisters all fall in love with Audrey Hepburn. Emily, however, is confused as to why Hepburn’s character has to leave the man she loves at the end of the movie. The sisters notice that Amelia has cut her hair like Hepburn did in the movie, and Amelia admits that although she initially wanted to imitate the movie by coming to Rome, she’s not trying to follow in Hepburn’s exact footsteps. The Walker sisters continue to that Amelia’s stay in Rome will end and she’ll return to her other life, just as Hepburn’s character does.

Chapter 25 Summary: “Noah”

Noah sleeps on James’s couch to avoid coming home to Amelia, but James peppers him with questions about their relationship. Amelia arrives at James’s neighboring house to tell him she will be spending the day working with Annie, wanting the experience of working a job that isn’t on the stage. James invites her to work at his farm the following day. Before she leaves, Amelia reveals that she set a small fire while trying to make pancakes again, and she looks out the window to make sure that the fire truck that came is gone before Noah can return home.

Chapter 26 Summary: “Amelia”

Noah comes to Annie’s flower shop to find Amelia and take her fishing, one of the things on her list. They have a peaceful drive to a nearby lake and Amelia feels content and relaxed around Noah. When she turns the radio on to break the silence, she’s shocked back to reality by the sound of her own voice and the reminder that she is about to go on a nine-month tour. Noticing her discomfort, Noah turns on a CD his grandmother gave him, and Amelia asks about her at the lake. Noah tells her about his fiery grandmother Silvie and how she and Mabel practically raised him. Noah asks her about her stage name and Amelia says she hates it because she thought the name Rae Rose would help keep her life as Amelia Rose separate, but instead Rae Rose just absorbed her. The two continue to talk about their lives and tease each other, and when Amelia jokes about Noah being no fun, he pushes her into the water.

Chapter 27 Summary: “Amelia”

Amelia is in disbelief, especially after Noah jumps in the lake as well and begins flirting with her. Though they’ve both agreed that they cannot be in a relationship, they start kissing. Amelia stops it before anything can go further, wanting nothing more than to hide in her room and forget this happened, but Noah mentions he has someone he needs to see and he was hoping Amelia would come with him.

Chapter 28 Summary: “Amelia”

Noah takes them back to his house so they can change into dry clothes, where Amelia has a song lyric pop into her head for the first time in months. Afterward, he drives her to an assisted living facility where his grandmother now lives. Noah admits that he let Amelia believe his grandmother was dead because it’s easier than telling the whole story about his grandmother’s Alzheimer’s diagnosis, the reason he left New York. As they go to meet Silvie, Amelia realizes just how natural it is for Noah to care for others, especially the woman who raised him. As they leave Silvie pulls both of them in for a hug, and Amelia realizes just how much harder it will be to leave Noah now that he’s let her in to this part of his life.

Chapter 29 Summary: “Noah”

When they get back to the house, Amelia corners Noah and admits her feelings for him, confessing that it’s not just physical attraction for her. Though Noah feels the same way, they establish rules to keep them from becoming too involved and agree not to hang out alone anymore. Amelia spends the next day at the farm with James and they arrange to have a dinner party with Noah and his sisters. Despite the rules they’ve established, Noah feels jealous of all the time James gets to spend with Amelia and thinks back to their kiss from the previous day. When Noah arrives for dinner, he doesn’t know how to interact with Amelia. James shows him all the pancakes she’s been making for dinner.

Chapters 19-29 Analysis

In this section, Adams focuses on how both Noah and Amelia hold themselves back from acknowledging their feelings, creating a will-they-won’t-they tension characteristic of the romance genre. When the whole story of Noah’s past relationship with Merritt is revealed in Chapter 19, Amelia gets a better understanding of why Noah is so insistent on putting up walls between them. Adams inserts several near-misses in which one or both of them almost makes their feelings known but can’t quite do it. Noah describes a moment where Amelia almost enters his room one night, saying, “She’s standing there and I know she’s contemplating opening it. I don’t think I want her to […] Her shadow disappears and I breathe again” (172). Adams’s dual POV structure allows her to reveal this interaction from Amelia’s perspective as well, highlighting how similar their thoughts about the tenuous relationship are. When unable to avoid one another, Noah and Amelia’s interactions remain awkward and hesitant, such as when they are caught hugging by Noah’s sisters or caught in the doorway by James. The awkwardness of the relationship is acknowledged by all who witness it as clear evidence of their attempts to deny their feelings for one another. Adams indicates that this speculation around their relationship pushes Amelia and Noah to establish their rules, including the one that stipulates that they cannot be alone together.

As Amelia settles more and more into Rome, the jarring interruptions from her real life reinforce The Inherent Tension Between Celebrity and Authenticity. Driving to go fishing with Noah, Amelia describes feeling total peace until she hears her voice on the radio and immediately her “joy dims, and a boulder settles back over [her] chest. It’s a reminder of the real world that [she doesn’t] want or need” (200). Similarly, she calls Susan to distract herself from her thoughts about Noah, but Susan berates Amelia for even considering going after a regular man like Noah. Her conversation with Claire adds to the increasingly ominous tone as the contentment Amelia has found in Rome and the pressures and expectations of her career vie for position in her life. 

Adams’s overt references to Roman Holiday underscore its symbolic importance throughout this section of the narrative, pushing Amelia to grapple with The Importance of Mental and Emotional Health. When Amelia watches the full film with the Walker sisters, she begins to see the familiar ending from a new perspective, signaling the progression of her arc. She left Nashville to come to Rome inspired by the first part of the movie, in which Hepburn’s character escapes from her dutiful life to live one day as a regular person. Rewatching the film in Rome, Amelia begins to see the ending as a tragedy as Hepburn chooses her responsibilities to her country over her romance with Gregory Peck. Though Amelia tries to find differences between herself and the film, she and the Walker sisters keep finding similarities, like the fact that both she and Hepburn cut their hair and are faced with leaving a man who would be perfect for them. They all try to joke about this, but the tone shifts suddenly after the movie night, with Madison telling Amelia, “[I]t’s not like we actually expected you—I mean Audrey—to stay in Rome for good. That’s impractical for your—HER career” (184). As the novel progresses, Amelia continually compares Noah to Gregory Peck, often thinking of the actor’s downtrodden face in the final frame of the film. The more she thinks about the film and her reasons for coming to Rome, the more Amelia worries that she’s doomed herself to the same fate as Hepburn’s character.

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