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47 pages 1 hour read

Chanel Cleeton

When We Left Cuba

Fiction | Novel | Adult | Published in 2019

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Chapter 29-EpilogueChapter Summaries & Analyses

Chapter 29 Summary

Though the missile crisis has ended, Nick and Beatriz still disagree over her wish to work for the CIA. He wants her to let the American government negotiate the release of the Bay of Pigs prisoners, and Beatriz believes the American government has abandoned Cuba. They return to Palm Beach, and Beatriz moves into Nick’s Palm Beach house. On Christmas, Beatriz visits Elisa’s house in Coral Gables to see Eduardo, who has been released from prison. He is thin and bitter. He tells her the Americans knew from the beginning that the expedition would fail, but let the invasion go ahead. Eduardo thinks Beatriz should choose between Cuba and Nick; he insists that she can’t have both. Beatriz realizes that the Americans are always going to act on in their own best interests, not Cuba’s. Eduardo admits that he loves Beatriz and says he was due to have a woman break his heart.

Chapter 30 Summary

Beatriz enrolls at the University of Miami and lives in Palm Beach with Nick. She feels “the tension between our countries, the pressures from outside pushing at the seams of the private world we have created here” (291). One morning her father visits to scold Beatriz for living with Nick out of marriage and causing a scandal. He wants her not to get involved with Cuba; the US has made Castro a dangerous adversary. Beatriz insists that Castro killed Alejandro. She feels sympathy for her father, forced to rebuild his life in a new country, his son stolen along with his legacy.

The narrative flashes forward to November 26, 2016. In Palm Beach, Beatriz hangs up the phone, feeling there is still love and respect between her and Eduardo. She puts on the diamond earrings she bought to celebrate graduating from law school and goes out to celebrate, “a way of laying all she has lost to rest now that the villain has finally been brought to a justice of sorts for his crimes” (295).

Chapter 31 Summary

In November, while Nick is in Dallas, Eduardo visits Beatriz to deliver a letter with instructions about her assignment in Cuba. He tells Beatriz that President Kennedy has been shot. Maria knocks on the door, crying. Nick calls to confirm what happened. Beatriz and Maria watch the news and hear the announcement that the president is dead. Beatriz feels numb, realizing that Kennedy gave the nation—indeed, the world—so much hope. Nick returns home and Beatriz consoles him.

Chapter 32 Summary

The entire US is in a state of shock and grief. Beatriz recalls the same sense of turmoil in the days after Batista fled Cuba, before Castro arrived in Havana. She has been thinking about her assignment and realizes, where before she was ready to sacrifice her life, she doesn’t want to die anymore. Nick shares the theories that Lee Harvey Oswald, who shot President Kennedy, was a Castro sympathizer, or that the CIA was quarreling with Kennedy over how to deal with Cuba. Nick doesn’t want Beatriz to go to Cuba. He gives her the ring that he intended to use to propose marriage, a large canary diamond.

Beatriz tells Nick he can’t succeed as a politician if his wife works for the CIA, and she doesn’t want to give it up. “I like what I’m doing,” she tells him. “I like what it has made me, the power it has given me, the freedom it affords me […] I have been powerless for far too long” (307). Beatriz finally makes him see that a relationship cannot work out. Nick leaves for a flight to Washington but tells her to keep the diamond ring.

Chapter 33 Summary

Beatriz, approaching Cuba, feels that she is looking at a stranger. The buildings are there, but everything feels different. Eduardo takes her to the hotel where she is to meet Fidel, and Beatriz passes through security. Fidel, and more security men, are waiting for her. Beatriz wonders how she is to slip the poison into his drink.

Castro says he knows Javier and Sergio, the Cuba brothers she met in Hialeah. He knows Beatriz was sent to kill him. Castro said he did what had to be done to overthrow Batista, but he did not kill President Kennedy, and he did not kill Beatriz’s brother. He tells her instead to think about motives the CIA might have had for Kennedy’s death. He lets Beatriz go, instructing her to tell the American government he was not involved.

Eduardo is not waiting for her outside the hotel. Beatriz walks to her family home and remembers finding her brother’s body. She wonders if the house still holds the portraits she remembers: the corsair who was the first Perez ancestor, and the wife who sailed from Spain to meet him. Beatriz digs where her father told her to look and finds a wooden box full of jewelry and money that her father buried. Beatriz thinks it is enough to buy her passage back to Florida. A man with a gun steps out of the shadows.

Chapter 34 Summary

The man is Javier, who wants revenge for her killing of Ramon, his cousin. Eduardo, who followed Beatriz to the house, shoots Javier in the back, saving her life.

Chapter 35 Summary

Eduardo arranges Beatriz’s passage back to Florida but reveals he is not going with her. Eduardo admits he set up the meeting between Fidel and Beatriz because Fidel wanted someone to communicate to the Americans. Eduardo doesn’t trust Castro, but he is tired of fighting and he wants to stay in Cuba; he arranged their meeting so Castro would end his exile. Beatriz feels betrayed but understands “how far one will go to return home” (328). She promises him they will dance at the Tropicana someday, and then she sails to her own home: “To brighter days, to the future, to freedom” (329).

Chapter 36 Summary

Dwyer visits Beatriz at the Palm Beach house, which is now hers. She asks Dwyer how he can stomach all the lies and he says he trusts no one but himself. He admits that people surprise him, but he is good at his job. He offers Beatriz continued work with the CIA, preventing the spread of communism around the world. He mentions her mother’s cousin in Spain, married to a diplomat, and Beatriz asks when she will leave.

The narrative flashes forward to November 26, 2016. Beatriz returns to her Palm Beach home in the early morning and finds Nick standing on the veranda. He asks if she has been happy, and she says she has. She offers condolences on the loss of his wife. He invites her to dance as the sun rises.

Epilogue Summary

Nick and Beatriz are dating, and she enjoys “rekindling a flame that never died” (339). She brings him to meet her family. Her great-niece Marisol has returned from scattering Elisa’s ashes in Cuba. Beatriz gives another great-niece, Lucia, a birthday present. She bought back the picture of an ancestor of theirs, Isabella Perez, that once hung in their home in Cuba. As they sing happy birthday to Lucia, Beatriz thinks that her legacy has not been in helping Cuba but in being one of the Perez women.

Chapter 29-Epilogue Analysis

After a slow build, this section rushes through several key dramatic moments: Eduardo’s return, which solidifies Beatriz’s link to Cuba; her climactic or rather anti-climactic visit to Cuba to confront Castro; and the swift summation of her career, only to reunite her with Nick at the end. Along with resolving the main plot conflicts, this section also wraps up the central themes.

Beatriz’s position on Exile and the Longing for Home evolves in the wake of the failed Bay of Pigs invasion and the defused Cuban missile crisis. Eduardo’s release confirms Beatriz’s sense that she cannot rely on the American government to intervene in Cuban affairs and must instead act on her own. When she reexamines her motives, however, she realizes that whereas once she was driven by anger, hatred, and revenge—emotions Eduardo touches on in their conversation—now her real wish is to achieve freedom for Cubans, which was her brother’s original goal. Eduardo represents her old belief about Cuba and what she wanted, encapsulated in their promise to dance at the Tropicana.

Eduardo’s betrayal, as Beatriz sees it, is simply his own way of returning to Cuba. He can resign himself to the changes Castro imposed, even to the fact of his own imprisonment. Cuba is still his home. However, for Beatriz, that option no longer exists. The Cuba she imagined and longed for is lost, and in going to school she has begun to forge a different future for herself. Significantly, while Nick offered her a temporary home with him, Beatriz finds on her return to Cuba that it is not the home she longed for; she now sees Florida as her real home. This realization is echoed by the conclusion of the next chapter, when she reconciles with Nick and faces a world where Castro is finally gone, her dream for over 50 years. The sunrise as she dances again with Nick represents, yet again, new possibilities for Beatriz.

Though Eduardo’s loyalties leave Beatriz with a sense of betrayal, he also saves her life. In shooting Javier, Eduardo represents the old Cuba saving Beatriz from further destruction by Castro’s Cuba. Eduardo’s repatriation puts a different spin on Exile and the Longing for Home, illuminating Beatriz’s changing feelings for Cuba and her adopted home the United States. Not only has Eduardo preserved her life, but in arranging for her to deliver Castro’s message and facilitating her return to Florida, he has also set Beatriz on the path to her future career with the CIA. They part with a final vow to dance again at the Tropicana. However, rather than looking back, this time, to a nostalgic past, they are making a promise to meet again in a future Cuba, whatever that might look like. This looking forward parallels the consideration Beatriz has begun to give to her own future, when she finally starts looking past the social season, her time with Nick, or waiting for the next message from Dwyer to arrive.

Nick, in the past storyline, holds to a set of motives and ambitions that Beatriz, in her quest for Freedom From Gendered Expectations, can’t support. She doesn’t want to be in the public eye anymore, as she was in the beginning, with everyone watching her at parties. She wants independence and power, which her activities as a spy grant her. The life Nick wants is incompatible with the life Beatriz wants, in the same way that, as a kind of American royalty like the Kennedy family, Nick represents the higher echelons of American society that Beatriz feels will always be closed to her. The canary diamond, when it first appears, represents the thing Beatriz might wish she could have but knows is impossible.

Castro’s death frees them both, releasing Beatriz from her Conflicting Loyalties and resetting the terms of a possible relationship with Nick. Her crusade is over as she has presumably retired to Palm Beach. Nick’s political career has presumably drawn to a close, and he is a widower, free to date and even marry. The portrait at the end calls up the long legacy of the Perez family, the place where Beatriz began in the story—embedded in her family—and the place to which she returns with a new appreciation. Though exiled from their home, they outlasted Castro and made a new home in a new land. The canary diamond she wore all those years, the price of her independence, at the end becomes a symbol of Beatriz’s enduring love for Nick.

The Epilogue also hints at the place When We Left Cuba holds in Cleeton’s other books about the Perez family. The reference to Marisol returning from Cuba calls up events from Next Year in Havana while setting up the plot for Our Last Days in Barcelona, in which Isabel travels to Barcelona in 1964 after Beatriz disappears there. Cleeton continues to use her historical setting to frame her plot, setting Beatriz’s confrontation with Castro in the context of fallout from the Kennedy assassination and hinting at the many conspiracy theories that have risen around that event. In all, Cleeton weaves the fortunes of her fictional Perez family into historical events to show how upheavals like revolution play out on a smaller, individual scale.

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By Chanel Cleeton