30 pages • 1 hour read
Raymond CarverA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator is a somewhat mysterious character who obscures much of his history until halfway through the story. At first, readers know only that the narrator is approximately in his thirties and that he is receiving treatment for alcohol addiction for the second time. His narration gradually reveals that he has a girlfriend, who brought him to treatment the second time around, but also a wife, who brought him to treatment the first time. His relationships with both women are strained, and much of his characterization stems from how he does not—or cannot—face the things that trouble them. These troubles include his girlfriend’s unknown but potentially serious diagnosis: “I hope she’s okay. But if she has something wrong with her, I don’t want to know about it” (218).
Although so much about the narrator remains a mystery (including his name, occupation, and physical appearance), his recollection of a memory from earlier in his marriage indicates that there are lost elements of his personality that he would like to regain. His memory is full of contemplation and his wife’s joyful laughter, which suggests a vitality that he sorely misses. The narrator’s arc from the beginning of his stay at Frank Martin’s to the end of the story suggests that there is hope for his recovery, and he himself may even be the source of this hope: At first, he distracts himself from his problems by becoming engrossed in J.P.’s story, but by the end, he fully inhabits a memory. This memory is what allows him to nurture enough hope to plan to reconnect with his wife and his girlfriend.
Much of the first half of the story focuses on J.P., whom the narrator introduces as “first and foremost a drunk. But he’s also a chimney sweep” (208). This introduction immediately emphasizes some of the story’s key tonal and emotional elements, which include an intricate balance of shame and tenderness. It also highlights the story’s setting; the narrator chooses these words not because he intends to be reductive or disparaging but because it is alcohol addiction, “first and foremost,” that brings any patient to this rehabilitation facility. The introduction therefore expresses both a gallows humor and a sense of solidarity despite connoting the feelings of shame that the narrator must eventually confront.
Although his real name is Joe Penny, J.P. retains a certain sense of anonymity by insisting on being referred to by his initials. Still, readers learn more about his backstory than they do about the narrator’s. Like the narrator, J.P. now faces personal and relational problems due to his alcohol addiction, which has led him to a breaking point that caused his in-laws to bring him to Frank Martin’s. However, the narrative depicts a small part of his recovery, as he learns to confront his life through talking about it: J.P. is a storyteller who makes sense of the world by narrativizing it. One of his formative childhood memories is the incident when he fell down a dry well. Although terrified by being stuck in the confined space, he also experienced a sense of calmness and was struck by the fact that “nothing fell on him and nothing closed off that little circle of blue” (210), which was the sky visible through the top of the well. Entering that world of the well and then leaving it seems to have left J.P. with a sense of fear and a lack of direction, though this emotional disorientation lifts somewhat when he meets Roxy and decides to become a chimney sweep. However, alcohol addiction has derailed his marriage and his career.
Carver depicts J.P. as timid yet hopeful. When Frank Martin comes out on the porch to talk to J.P. and the narrator, J.P. says, “I feel like a bug when he’s around. […] He makes me feel like a bug” (215). Despite his pain and diffident demeanor, J.P. derives hope and power from telling his story, which hints at a good chance of reconciliation with Roxy.
Two characters are essential to the story but never appear in the present moment of the narrative: the narrator’s girlfriend and his wife. Everything readers learn about these two characters is mediated through the narrator. Even when there are direct quotes from these characters, readers must rely on the narrator’s word for their veracity. Both characters face significant hardship and a strained relationship with the narrator.
The narrator’s girlfriend is at first characterized as irresponsible when the narrator recalls her driving under the influence. However, subsequent details reveal that she has faced many recent struggles, the emotional stress of which likely compromised her judgment or ability to think clearly. These struggles include the fact that she has taken in the narrator after he was kicked out of the house by his wife, that she has received concerning results from a Pap smear, and that her relationship with her son is faltering. Although the narrator initially presents his girlfriend as being similar to himself in terms of alcohol use, the later details complicate the picture and call into question whether her relationship with alcohol truly resembles the narrator’s. By the end of the story, the narrator and his girlfriend have not spoken since she dropped him off, but he is confident she will answer his phone call. This suggests a glimmer of hope for the couple.
The narrator introduces his wife after mentioning his girlfriend, creating an unexpected narrative turn. Although the narrator no longer lives with his wife, he does not refer to her as his ex-wife, suggesting that they are not divorced. The narrator’s wife is a mysterious character, and nearly everything the narrator says about her relates to his addiction. She was the first person to bring him in for treatment, and since then, their relationship has deteriorated because of his refusal to commit to that treatment. The only other glimpse of the narrator’s wife comes from the narrator’s memory from early in their marriage. This memory gives a much different portrait of his wife, depicting someone jovial and romantic. By the end of the story, the narrator intends to listen to his wife speak candidly about her pain. However, he also plans to call his girlfriend, and it is unclear how he will reconcile having both relationships.
Roxy exists in the narrative primarily in the past, but she collides with the present when she visits J.P. at the end of the story. In J.P.’s memories, Roxy is a bold and competent young woman who has the unusual job of chimney sweeping. Her occupation is generally associated with men, and in fact, she works in the business with her father and brother. There was something about Roxy that filled J.P. with “sensations that were carrying him every which way” (211) and that jolted him out of his inaction.
Although many of the details revealed about Roxy indirectly characterize J.P., Roxy nevertheless emerges as a uniquely audacious and action-oriented character. J.P.’s story recounts how, when she fought with J.P., she reciprocated with physical violence; when she tried to fix the problem of J.P.’s addiction, she found a boyfriend. In every instance, Roxy bursts out of the narrative box in which J.P. tries to put her. When she finally visits J.P. at the end of the story and enters the present of the story for the first time, she similarly defies expectations by being sweet and romantic and even giving the narrator a kiss when he asks for one. Though she is a secondary character, Roxy is a catalyst in much of the story, both past and present. Her actions and her attitude, by virtue of their disruption to expectation, project the possibility of change, which opens up new paths for both J.P. and the narrator. Her final interaction with J.P. offers a sense of hope for him, for herself, and for their relationship.
By Raymond Carver
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