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60 pages 2 hours read

Robert C. O'Brien

Z For Zachariah

Fiction | Novel | YA | Published in 1974

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Symbols & Motifs

Birds

Content Warning: This section of the guide includes discussion of death.

Birds are a recurring symbol of hope in the novel. Because the world has been destroyed and the air is poisoned, birds are initially absent from the novel, and Ann goes over a year without seeing them. However, when Ann starts plowing the field, she sees a group of crows flying overhead. She writes, “There were crows, sharp and black against the sky, wheeling in a circle over the field. I counted eleven of them, and I realized they had remembered the sound of plowing” (96). These crows, and their return to the field once Ann begins to plow, symbolize hope that life will return to normal. Just as the crows come in search of the seeds they used to find in the field, Ann plows the field in the hope of planting crops that will sustain their lives and the future of the valley.

When Ann goes to the church to pray, she finds a baby crow that has fallen from the belltower overhead. She saves the crow, thinking that “it might be a good omen” and remembering the time before the war: “When [she would] wake up in the morning, look out the window, and see a bird the first thing” she would feel as if “it is a symbol, and that something good will happen that day” (125). When she was a small child, she would compare birds to “prayers,” as both fly up to heaven. For Ann, the discovery of a baby bird is important in that it represents hope for the future of the birds. The next time she visits the church, the crow is gone, and she realizes that its parents must have saved it. While these events occur, Ann is envisioning a future with Loomis. He is still sick, and she still has hope that they will one day get married, have children, and create a new society in the valley, renewing humanity just as the birds are renewing their own species. For now, she is helping Loomis recover, just as she helped the crow; the bird’s survival and rehabilitation gives her hope that Loomis can do the same.

In the final pages of the text, birds are mentioned one last time as Loomis calls to Ann after she has left the valley. He tells her that he saw birds “west of here…circling” but that he couldn’t find where they went (148). As Ann leaves the valley, she does not know where she is going, how long she will be able to survive, or whether she will find anyone else alive. However, Loomis’s admission gives her hope that these birds mean clean air, which means the chance of more survivors and a new life for her.

The Safe-Suit

Loomis’s safe-suit is a symbol of both the benefits and the harms of technology. The suit was created by Loomis and Edward before the war in a secret lab contracted by the United States Army. It allowed Loomis to leave their underground lab and survive in the destroyed wasteland, ultimately coming to the valley where he finds Ann.

While the suit is a source of hope, it is also the source of violence and death in the novel. Because only one safe-suit exists, it represents the ultimate scarce resource, and Loomis’s possessive attitude toward it sparks violence. As Edward repeatedly tried to take the safe-suit to check on his family, Loomis emphasized that the suit “may be the last useful thing anybody ever made. [He’s] not going to waste it on a visit to [his] dead wife” (116). When Edward took the suit anyway, Loomis shot and killed him. Similarly, Ann later must steal the suit to escape the valley and Loomis, leading to a similar confrontation between the two.

The duality of the suit—as something that saves lives while also causing death—echoes the duality of technology as a whole. When the novel was written in the 1970s, it was a time of rapid military and scientific advancement as the United States and the Soviet Union raced to achieve technological milestones. Similar to the safe-suit, these scientific advancements improved many aspects of life while also opening the door to death and destruction. Ultimately, Ann, who is a kinder, more humane character in the novel, takes the suit away from Loomis, a violent, controlling man. This emphasizes the need for balance in the world: While scientific advancement can be good, it needs to be balanced by compassion and respect for the world that humans inhabit.

Dreams

Dreams are an important motif throughout the novel. They offer insight into a character’s inner thoughts and feelings, conveying how they truly feel. Additionally, they serve as a source of practical information—both for the reader and for Ann.

Loomis’s dreams reveal information about his character that he is unwilling to share on his own. When he is sick for the first time, he mentions the name “Edward.” Then, when he is near death and delirious with fever the second time, Ann overhears the entire story of his murder of Edward at the laboratory. These dreams are an important component of the theme of The Desire for Power, as they cue Ann into Loomis’s dangerous past and his need for possession and control. They also save Ann’s life, as her revelation of this knowledge stops Loomis from shooting her in the novel’s climax. She forces Loomis to confront his past, which causes him to show remorse and stop himself from killing Ann as he did Edward.

Ann’s dreams also provide her with insight and knowledge. The first dream that she discusses is of her mother collecting watercress by the pond. Ann acknowledges that the dream is a memory of her mother that reminds her of something she had forgotten, which “shows that dreams can be helpful” (78). Following this logic, her second dream of the children waiting for her in a classroom provides hope for the reader at the end of the novel that she will find a safe home after she leaves the valley. Given the utility of her previous dream, there is hope that this one will also prove to be true.

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